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Heterosexual Plots and Lesbian Narratives
What is lesbian literature? Must it contain overtly lesbian characters, and portray them in a positive light? Must the author be overtly (or covertly) lesbian? Does there have to be a lesbian theme and must it be politically acceptable? Marilyn Farwell here examines the work of such writers as Adrienne Rich, Marion Zimmer Bradley, Jeanette Winterson, Gloria Naylor, and Marilyn Hacker to address these questions. Dividing their writings into two genres--the romantic story and the heroic, or quest, story, Farwell addresses some of the most problematic issues at the intersection of literature, sex, gender, and postmodernism. Illustrating how the generational conflict between the lesbian- feminists of twenty years ago and the queer theorists of today stokes the critical fires of contemporary lesbian and literary theory, Heterosexual Plots and Lesbian Narratives concludes by arguing for a broad and generous definition of lesbian writing.
Milton's Theology of Freedom
At the centre of John Milton's epic poem Paradise Lost (1667) is a radical commitment to divine and human freedom. This study situates Paradise Lost within the context of post-Reformation theological controversy, and pursues the theological portrayal of freedom as it unfolds throughout the poem. The study identifies and explores the ways in which Milton is both continuous and discontinuous with the major post-Reformation traditions in his depiction of predestination, creation, free will, sin, and conversion. Milton's deep commitment to freedom is shown to underlie his appropriation and creative transformation of a wide range of existing theological concepts.
Forms of Expansion
Expanding the boundaries of both genre and gender, contemporary American women are writing long poems in a variety of styles that repossess history, reconceive female subjectivity, and revitalize poetry itself. In the first book devoted to long poems by women, Lynn Keller explores this rich and evolving body of work, offering revealing discussions of the diverse traditions and feminist concerns addressed by poets ranging from Rita Dove and Sharon Doubiago to Judy Grahn, Marilyn Hacker, and Susan Howe. Arguing that women poets no longer feel intimidated by the traditional associations of long poems with the heroic, public realm or with great artistic ambition, Keller shows how the long poem's openness to sociological, anthropological, and historical material makes it an ideal mode for exploring women's roles in history and culture. In addition, the varied forms of long poems—from sprawling free verse epics to regular sonnet sequences to highly disjunctive experimental collages—make this hybrid genre easily adaptable to diverse visions of feminism and of contemporary poetics.
Protest and Possibility in the Writing of Tillie Olsen
Tillie Olsen's fiction and nonfiction portray, with all their harsh contours, the lives of people who cannot speak for themselves or whose words have been forgotten or ignored. Olsen's writing is neither serene nor despairing. In this sensitive thematic reading, Mara Faulkner shows that its most subversive function is the assertion that human life can be other than and more than it is. Olsen's promise of full creative life aims to make her readers forever dissatisfied with physical, emotional, and intellectual starvation. Faulkner finds in Olsen's writing a triple-layered pattern combining protest against oppression (blight), celebration of courage and strength (fruit), and the heartening dr...
Passionate Communities
In this new full-length study of Jane Rule's life and work, Marilyn Schuster argues that Rule's novels provide a way of "writing and reading lesbian" that resists and subverts dominant discourses of gender and sexuality-both those of mainstream culture and of political and sexual subcultures. From her earliest novel, Desert of the Heart (1964), Rule's fiction has provided a challenge to the concept of a fixed identity and to the identity politics founded on such a concept. Incorporating all of Jane Rule's early work-including unpublished manuscripts, letters, magazine and newspaper columns, as well as fan mail she received-Schuster also draws on interviews, conversations, and personal encounters with the author to elicit the ways in which Rule interrogates the meanings and politics of sexuality, the relationship between sexuality and language, and the stakes of communities in individual claims on identity. Passionate Communities is a thorough, engaging, and long-overdue study of an important voice in lesbian literature and gay and lesbian politics.
Athena's Daughters
This book is unique in its critical inquiry into the new woman warrior's appropriation of violence and the Western war narrative. Informed by feminist theoretical debates regarding women's new roles, the authors delve into the meaning of that appropriation for alternative storytelling. To date, television's "ferocious few" have received little scholarly attention. By inviting a variety of perspectives, editors Frances Early and Kathleen Kennedy provide a cutting-edge forum to recognize women's increasing role in popular culture as they are cast as action heroes. As a timely and accessible work, this book will appeal to scholars, feminists, cultural critics, and the general reader.
Studies in Medievalism XXXIII
Essays on the post-modern reception and interpretation of the Middle Ages. Though Studies in Medievalism has hosted many essays on gender, this is the first volume devoted specifically to that theme. The first part features four short essays that directly address manifestations of sexism in postmedieval responses to the Middle Ages: gender substitutions in a Grail Quest episode of the 2023 television series Mrs. Davis, repurposed misogyny in the last two episodes of Game of Thrones (2011-19), traditional gender stereotypes in Capital One's credit card commercials from 2000 to 2013, and "shaggy" medievalism in Robert Eggers' 2022 film The Northman. The second part contains ten longer essays, ...
The Gender Legacy of the Mao Era
Shows that the feminist interventions of the Mao era (19491976) continue to influence contemporary Chinese women. This book traces how the legacy of the Maoist gender project is experienced or contested by particular Chinese women, remembered or forgotten in their lives, and highlighted or buried in their narratives. Xin Huang examines four womens life stories: an urban woman who lived through the Mao era (19491976), a rural migrant worker, a lesbian artist who has close connections with transnational queer networks, and an urban woman who has lived abroad. The individual narratives are paired with analysis of the historical and social contexts in which each woman lives. Huang focuses on the shifting relationship between gender and class, fashion and shame in the Mao and post-Mao eras, queer desire and artwork, and contemporary transnational encounters. By rethinking the historical significance and contemporary relevance of one of the twentieth centurys major feminist interventionssocialist and Marxist womens liberation during the Mao yearsThe Gender Legacy of the Mao Era provides insight into current struggles over gender equality in China and around the world.
The Wicked Sisters
This examination of the lives and poetic works of Emily Dickinson, Marianne Moore, Elizabeth Bishop, Adrienne Rich and Gwendolyn Brooks focuses on the historical struggles between women writers and feminists. It traces the conflict that has taken place through the generations.
Chaucer's Losers, Nintendo's Children, and Other Forays in Queer Ludonarratology
Tison Pugh examines the intersection of narratology, ludology, and queer studies, pointing to the ways in which the blurred boundaries between game and narrative provide both a textual and a metatextual space of queer narrative potential. By focusing on these three distinct yet complementary areas, Pugh shifts understandings of the way their play, pleasure, and narrative potential are interlinked. Through illustrative readings of an eclectic collection of cultural artifacts—from Chaucer’s Canterbury Tales to Nintendo’s Legend of Zelda franchise, from Edward Albee’s dramatic masterpiece Who’s Afraid of Virginia Woolf? to J. K. Rowling’s Harry Potter fantasy novels—Pugh offers perspectives of blissful ludonarratology, sadomasochistic ludonarratology, the queerness of rules, the queerness of godgames, and the queerness of children’s questing video games. Collectively, these analyses present a range of interpretive strategies for uncovering the disruptive potential of gaming texts and textual games while demonstrating the wide applicability of queer ludonarratology throughout the humanities.
