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Daniel Patterson and Eric Russell present a groundbreaking case for considering John James Audubon's and John Bachman's quadruped essays as worthy of literary analysis and redefine the role of Bachman, the perpetually overlooked coauthor of the essays. After completing The Birds of America (1826-38), Audubon began developing his work on the mammals. The Viviparous Quadrupeds of North America volumes show an antebellum view of nature as fundamentally dynamic and simultaneously grotesque and awe-inspiring. The quadruped essays are rich with good stories about these mammals and the humans who observe, pursue, and admire them. For help with the science and the essays, Audubon enlisted the Revere...
Drawing on extensive interviews with artists and their assistants as well as close readings of artworks, Jones explains that much of the major work of the 1960s was compelling precisely because it was "mainstream" - central to the visual and economic culture of its time.
A visually rich survey of two hundred years of Alabama fine arts and artists Alabama artists have been an integral part of the story of the state, reflecting a wide-ranging and multihued sense of place through images of the land and its people. Quilts, pottery, visionary paintings, sculpture, photography, folk art, and abstract art have all contributed to diverse visions of Alabama’s culture and environment. The works of art included in this volume have all emerged from a distinctive milieu that has nourished the creation of powerful visual expressions, statements that are both universal and indigenous. Published to coincide with the state’s bicentennial, Alabama Creates: 200 Years of Ar...
The Economics of American Art analyzes the most pervasive economic issues facing the art world, applied to the whole spectrum of American art. Both practical and accessible, this book will be essential for collectors, auction houses, American art experts of all kinds, museums, gallery owners and, not least, by economists with continuing scholarly interests in these matters.
In 1961, the historian and poet Robert Penn Warren remarked that “the Civil War is, for the American imagination, the great single event of our history.” This volume reconsiders whether, fifty years later, Warren’s claim still holds true. Essays from specialists in art, literature, and history examine how contemporary culture represents and interprets the Civil War. They look at the works of more than thirty artists and writers as well as multiple movements—political and social—to reveal the many and provocative ways in which Americans engage the Civil War today. The book includes chapters on the place of Abraham Lincoln in Barack Obama’s presidential campaign, controversies over...
This volume is an exhibition catalog of the Georgia Museum of Art's show of drawings and graphics by Maltby Sykes. Includes illustrations and essays of the works.
A concise approach to the major themes and events that define contemporary South Carolina The captivating, colorful, and controversial history of South Carolina continues to warrant fresh explorations. In this sweeping story of defining episodes in the state's history, accomplished historians Jack Bass and W. Scott Poole trace the importance of race relations, historical memory, and cultural life in the progress of the Palmetto State from its colonial inception to the present day. In the discussion of contemporary South Carolina that makes up the majority of this volume, the authors map the ways through which hard-won economic and civil rights advancements, a succession of progressive state leaders, and federal court mandates operated in tandem to bring a largely peaceful end to the Jim Crow era in South Carolina, in stark contrast to the violence wrought elsewhere in the South. This volume speaks directly to the connections between the state's past, present, and future, and it serves as a valuable point of entrance for new inquiries into South Carolina's diverse and complex heritage.
Founded in 1977 by entrepreneur and master printer Steven M. Anderson, Vermillion Editions Limited was a nationally recognized print workshop in the Minneapolis warehouse district and an important part of the 1970s American print renaissance. Anderson collaborated with highly regarded artists of the time, including Jasper Johns, Chuck Close, and Andy Warhol. Lavishly illustrated with prints from renowned Vermillion Editions, this book features photographs of the finished products and documents the process of fine printmaking. Essays describe the history of the printmaking shop and the place of Vermillion Editions within the broader context of American printmaking. This catalogue provides a beautiful and enlightening look at an exceptionally talented printmaker and his inspired work with the heavy hitters of contemporary art in the 1970s. Dennis Michael Jon is associate curator of prints and drawings at The Minneapolis Institute of Arts.Distributed for The Minneapolis Institute of Arts