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The Custodians of Biodiversity
Agricultural biodiversity is a precious legacy which we have a moral duty to pass on intact to future generations. As farming systems modernise, these crucial resources risk being lost, unless effective conservation measures are put in place and sufficient recognition is given to the role of the farmer in food security and agricultural development. This publication contains a number of black and white photographs by Pablo Balbontân Arenas, which give an insight into the life and customs of small farmers who foster, maintain and use genetic diversity in traditional agricultural systems, deploying local techniques and knowledge accumulated over many centuries, focusing on four crops: wheat, rice, maize and potato. The accompanying text is written in English, Spanish and Italian.
Marisa Merz
Bringing together five decades of painting, sculpture, and installations from the celebrated Italian artist Marisa Merz, this monograph accompanies a major US retrospective of her work. This generously illustrated book offers readers the chance to appreciate the full range of works by Marisa Merz, winner of the 2013 Golden Lion lifetime achievement award at the Venice Biennale. This volume traces Merz's artistic evolution from early experiments with non-traditional materials and processes, to intricately constructed installations of the 1970s and the enigmatic ceramic heads of the 1980s and '90s. Authoritative essays explore the rise of international women's art in the 1960s and '70s and Mer...
Pride in Modesty
Following Italy's unification in 1861, architects, artists, politicians, and literati engaged in volatile debates over the pursuit of national and regional identity. Growing industrialization and urbanization across the country contrasted with the rediscovery of traditionally built forms and objects created by the agrarian peasantry. Pride in Modesty argues that these ordinary, often anonymous, everyday things inspired and transformed Italian art and architecture from the 1920s through the 1970s. Through in-depth examinations of texts, drawings, and buildings, Michelangelo Sabatino finds that the folk traditions of the pre-industrial countryside have provided formal, practical, and poetic inspiration directly affecting both design and construction practices over a period of sixty years and a number of different political regimes. This surprising continuity allows Sabatino to reject the division of Italian history into sharply delimited periods such as Fascist Interwar and Democratic Postwar and to instead emphasize the long, continuous process that transformed pastoral and urban ideals into a new, modernist Italy.
The Fishing Net and the Spider Web
This book explores the role of Mediterranean imaginaries in one of the preeminent tropes of Italian history: the formation or 'making of' Italians. While previous scholarship on the construction of Italian identity has often focused too narrowly on the territorial notion of the nation-state, and over-identified Italy with its capital, Rome, this book highlights the importance of the Mediterranean Sea to the development of Italian collective imaginaries. From this perspective, this book re-interprets key historical processes and actors in the history of modern Italy, and thereby challenges mainstream interpretations of Italian collective identity as weak or incomplete. Ultimately, it argues that Mediterranean imaginaries acted as counterweights to the solidification of a 'national' Italian identity, and still constitute alternative but equally viable modes of collective belonging.
History of Photography
The fourth volume in a history of photography, this is a bibliography of books on the subject.
Fukushi Ito - In the space and in the time
Fukushi Ito vive e lavora tra Italia e Giappone, ma per lei appartenere a due mondi lontani non significa rinuncia a qualcosa o crisi di identità; al contrario è il privilegio di poter avere due patrie,di poter raggiungere una sintesi superiore, perché come artista asiatica, e in particolare giapponese, l’identità è un fattore non statico: ma ciò che è stato, ciò che è, ciò che potrà essere. Il lavoro di Fukushi Ito è un infinito esercizio poetico, un esplorare il mondo per trovare la sintesi artistica che definisca la presenza delle cose nello spazio e nel tempo. Scrive Roberto Mastroianni: “Fukushi Ito si interroga, vede le dinamiche con cui la realtà prende forma e decide di riproporle artisticamente”.
International Futurism in Arts and Literature
This publication offers for the first time an inter-disciplinary and comparative perspective on Futurism in a variety of countries and artistic media. 20 scholars discuss how the movement shaped the concept of a cultural avant-garde and how it influenced the development of modernist art and literature around the world.
Impressionism
Defining an artistic era or movement is often a difficult task, as one tries to group individualistic expressions and artwork under one broad brush. Such is the case with impressionism, which culls together the art of a multitude of painters in the mid-19th century, including Monet, Cézanne, Renoir, Degas, and van Gogh. Basically, impressionism involved the shedding of traditional painting methods. The subjects of art were taken from everyday life, as opposed to the pages of mythology and history. In addition, each artist painted to express feelings of the moment instead of hewing to time-honoured standards. This description of impressionism, obviously, is quite broad and can apply to a wid...
A New Romanticism
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