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Art & Home
The caress of fabrics, the sheen of metal, the brittle luminosity of glass -- Dutch genre painters of the Golden Age were so skilled at mimicking the appearance of things that their largely imaginary domestic scenes are utterly convincing pictures of life as it was once lived. The contemporary viewer enters this world of make-believe as eagerly as Dorothy stepped into the land of Oz, with a complete trust in the fitness and accuracy of the illusion. Now, four eminent art historians reveal the trick behind this illusion and give us insight into the social reality that animates the deception. We learn why domestic interiors were a favorite subject for seventeenth-century Dutch artists and why ...
Johannes Vermeer
Mariet Westermann analyses Vermeer's work and his place in the history of art on the basis of Amsterdam's Rijksmuseum's four paintings, which span the range of his production from early to late, from cityscape to genre, from domestic chores to refined liv
The Little Street
An interdisciplinary study of the central role that the neighborhood played in seventeenth-century Dutch painting and culture The neighborhood was a principal organizing structure of Dutch cities in the seventeenth century, and each had its own regulations, administrators, social networks, events, and diverse population of residents. Linda Stone-Ferrier argues that this sense of community contributed to the steady demand for pictures portraying aspects of this culture. These paintings, by such artists as Jan Steen and Pieter de Hooch, reinforced the role and values of the neighborhood. Through close readings of such works--by Steen and De Hooch and, among others, Gerrit Dou, Gabriel Metsu, Jacob van Ruisdael, and Johannes Vermeer--Stone-Ferrier deftly considers social history, urban studies, anthropology, and women's studies in this penetrating exploration. Her new interpretations of seventeenth-century Dutch painting across genres--scenes of streets, domesticity, professions, and festivity--challenge existing paradigms in Dutch art history.
The Uses of Excess in Visual and Material Culture, 1600–2010
Although the idea of excess has often been used to degrade, many of the essays in this collection demonstrate how it has also been used as a strategy for self-fashioning and empowerment, particularly by women and queer subjects. This volume examines a range of material - including ceramics, paintings, caricatures, interior design and theatrical performances - in various global contexts. Each case study sheds new light on how excess has been perceived and constructed, revealing how beliefs about excess have changed over time.
Anthropologies of Art
"Based on the 2003 Clark Conference, Anthopologies of Art examines the intersections and divergences between anthropology and art history"--Back cover.
Old Women and Art in the Early Modern Italian Domestic Interior
Though portraits of old women mediate cultural preoccupations just as effectively as those of younger women, the scant published research on images of older women belies their significance within early modern Italy. This study examines the remarkable flowering, largely overlooked in portraiture scholarship to date, of portraits of old women in Northern Italy and especially Bologna during the second half of the sixteenth century, when, as a result of religious reform, the lives of women and the family came under increasing scrutiny. Old Women and Art in the Early Modern Italian Domestic Interior draws on a wide range of primary visual sources, including portraits, religious images, architectu...
Jan Miense Molenaer
The first comprehensive examination of the accomplishments of
The Transnational Politics of Higher Education
This edited volume introduces readers to the relationship between higher education and transnational politics. It shows how higher education is a significant arena for regional and international transformation as well as domestic political struggle replete with unequal power relations. This volume shows: The causes and impacts of recent transformations in higher education within a transnational context; Emerging similarities in objectives, institutional set-ups, and approaches taking place within higher education institutions across different world regions; The asymmetrical relations between various kinds of institutional, commercial and state actors across borders; The extent to which histo...
Darwin and Theories of Aesthetics and Cultural History
Darwin and Theories of Aesthetics and Cultural History is a significant contribution to the fields of theory, Darwin studies, and cultural history. This collection of eight essays is the first volume to address, from the point of view of art and literary historians, Darwin's intersections with aesthetic theories and cultural histories from the eighteenth century to the present day. Among the philosophers of art influenced by Darwinian evolution and considered in this collection are Alois Riegl, Ruskin, and Aby Warburg. This stimulating collection ranges in content from essays on the influence of eighteenth-century aesthetic theory on Darwin and nineteenth-century debates circulating around beauty to the study of evolutionary models in contemporary art.
