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Karla Knight
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Richard Aldrich and the 19th Century French Painting
Traversing abstraction, drawn or printed text, collage, sculptural effects and humorous figuration, the work of Richard Aldrich (born 1975) constitutes an index of possibilities in painting. Aldrich frequently integrates objects such as canvas scraps or book pages in his works, citing rather than deploying the idea of a picture plane, and also loads his works with literary and personal references. For his first solo museum exhibition at the Contemporary Art Museum St. Louis, Aldrich presents 20 large-scale works alongside paintings by Edouard Vuillard, Pierre Bonnard and the Irish portraitist Sir William Orpen, selected from the Museum's permanent collection. These three nineteenth-century artists have very little in common with Aldrich, and yet are ideally counterpointed against his paintings, refocusing the works of all four in fascinating ways. Published on the occasion of this exhibition, this volume records this exemplarily adventurous exhibition.
Harmony Hammond: Material Witness
An activist and a curator as well as a trailblazing artist, feminist and lesbian scholar, New Mexico-based Harmony Hammond (born 1944) has enjoyed a career spanning nearly fifty years and many mediums, all of which are brought together for the first time in Material Witness, which accompanies the artist's museum survey of the same name at the Aldrich Contemporary Art Museum. Hammond's groundbreaking painting and installation practice unites minimalist and postminimalist concerns with feminist art strategies, employing marginalized craft traditions in the service of abstraction, and working through a wide cast of materials: fabric, rope, pine needles, hair, blood, bone and wood, mixed with traditional sculptural and painting materials. Harmony Hammond: Material Witnessrestages the most significant installations of Hammond's career and presents them alongside her major paintings, sculptures, works on paper and ephemera. Fully illustrated, and with an essay by exhibition curator Amy Smith-Stewart, this is the first and definitive monograph on Harmony Hammond and her revolutionary practice.
Eva Lewitt
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Oasis in the City
A deluxe large-scale book celebrating the life and design of The Abby Aldrich Rockefeller Sculpture Garden, an oasis at the heart of The Museum of Modern Art. The Abby Aldrich Rockefeller Sculpture Garden at The Museum of Modern Art is beloved by all, whether artists or ordinary museum goers, New Yorkers or visitors from around the world. It is a respite from the crowds and skyscrapers that surround it, as well as a place to commune with major works of modern and contemporary art. Through essays and archival images, this lavishly illustrated volume pays tribute to the Garden_s beauty and remarkable history, while offering a behind-the-scenes look at the many exhibitions, programmes and event...
Peter Liversidge
None
Voice & Void
Edited by Thomas Trummer. Foreword by Harry Philbrick.
Haiku For The Single Girl
A brazenly honest celebration of the single girl's life that will make every woman laugh ... A celebration of the single girl's life told in uproarious and uplifting haiku and illustrations guaranteed to make any woman of any age, single or otherwise, laugh out loud and forget her troubles. Unsolicited relationship advice from relatives, disastrous dates, men who wear thumb rings, and the moments of deep satisfaction when you realise that you can do whatever you want with your time - it's all here in a collection of incisive haiku and deliciously cheeky drawings that superbly and charmingly capture the life and times of being a single woman.
Fragile Earth
Contemporary artists probe the impact of human intervention on the environment Just as artists of the 19th and 20th centuries participated in forging an American natural history as explorers, cataloguers, collectors, and early environmentalists, contemporary artists continue to incorporate and comment on the natural world in their art. Motivated by the inexorable rise of urban-industrial development and the subsequent deterioration of our planet, artists confront the vulnerability of our environment and the effects of global climate change to illustrate the continued relevance of ecology and nature conservation to contemporary artistic practice. In Fragile Earth: The Naturalist Impulse in Co...
Barrão
Brazilian artist Barrão (born 1959) is best known for his whimsical, somewhat bizarre sculptural clusters and "mash-ups" assembled from fragments of popular vitreous porcelain and ceramic objects. The artist acquires these fragments, once commonly cherished in Brazilian households, by scouting the secondhand stores, flea markets and dumpsters of Rio de Janeiro. When a sufficient quantity of materials has been accumulated, Barrão sorts and classifies the ceramics in his studio, separating them by size, color, function, vessel or ornament. These fragments are then carefully fused into a single sculptural entity, each of which constitutes a sort of a mini-collection--a vibrant magma of explosive visual and tactile qualities. Published for Barrão's 2012 exhibition at The Aldrich Contemporary Art Museum, and with a foreword by Tunga, this volume offers a concise introduction to Barrão's free-flowing associative sculpture.
