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Fifty Key Writers on Photography
A clear and concise survey of some of the most significant writers on photography who have played a major part in defining and influencing our understanding of the medium. It provides a succinct overview of writing on photography from a diverse range of disciplines and perspectives and examines the shifting perception of the medium over the course of its 170 year history. Key writers discussed include: Roland Barthes Susan Sontag Jacques Derrida Henri Cartier-Bresson Geoffrey Batchen Fully cross-referenced and in an A-Z format, this is an accessible and engaging introductory guide.
Photography Today
Presents a look at photography in the twenty-first century, dividing the topic into such categories as documentary, landscapes, history, the body, color, and constructions and presenting leading photographers and examples of their work.
Hidden
"The Imperial War Museum commissioned two contemporary artists to respond to the terrorist attacks of September 11th and the war in Afghanistan. Paul Searwright was the first to go, in June 2002. He has responded to the painful and extraordinary challenge of the situation in the country with profound imagination and sensitivity. Avoiding the trappings of an exoticising vision, typified by the media's portrayal of Afghanistan as a spectacle of ruins, Seawright's photographs are spare and understated. His response to these heavily mined desert landscapes, extends and reworks the distinctive aesthetic established by his earlier photographs of contested, politically contaminated landscapes in his home city of Belfast and more recently on the fringes of various European cities."--BOOK JACKET.
Variable Capital
Taking its title from a term Karl Marx used to explain how value is produced in a commodity, Variable Capital charts the strategies that artist have employed in order to redirect attention toward the usually invisible processes of exploitation and alienation underlying artistic production. Examining a range of international artists, including Common Culture, Richard Hughes, Melanie Jackson, Brian Ulrich, and Andy Warhol, much of the work discussed is characterized by a willingness to engineer awkward and embarrassing situations that challenge the viewer with uncomfortable realities. Many of the artists featured achieve this by humorously subverting familiar objects and rituals to critique and emphasize the ridiculous—creating an art that, though not necessarily redemptive, is still a vehicle by which the often absurd and brutal logic of commodification is revealed.
Disneyfication
Theo Derksen explores the process through which our public spaces have become increasingly globalised and homogenous, not just in their structures but also in their use of imagery. New places are created to enable people to experience a more perfect version of reality. As far as possible, problems such as decline, poverty and traffic congestion are eliminated, and the environment is arranged in a way that stimulates people s behaviour in their drive to consume. The book includes an interview with Francine Houben, best known in the UK as the architect of the Birmingham Library.
Shirley Baker
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The Routledge Companion to Photography Theory
With newly commissioned essays by some of the leading writers on photography today, this companion tackles some of the most pressing questions about photography theory’s direction, relevance, and purpose. This book shows how digital technologies and global dissemination have radically advanced the pluralism of photographic meaning and fundamentally transformed photography theory. Having assimilated the histories of semiotic analysis and post-structural theory, critiques of representation continue to move away from the notion of original and copy and towards materiality, process, and the interdisciplinary. The implications of what it means to ‘see’ an image is now understood to encompas...
A Companion to Photography
The study of photography has never been more important. A look at today's digital world reveals that a greater number of photographs are being taken each day than at any other moment in history. Countless photographs are disseminated instantly online and more and more photographic images are earning prominent positions and garnering record prices in the rarefied realm of top art galleries. Reflecting this dramatic increase in all things photographic, A Companion to Photography presents a comprehensive collection of original essays that explore a variety of key areas of current debate around the state of photography in the twenty-first century. Essays are grouped and organized in themed secti...
Dorothea Lange
"In this book, published in conjunction with the Museum's retrospective exhibition of her work (c. 1920-1963), George P. Elliott, a close friend of the photographer for more than twenty years, recreates Miss Lange's career within the framework of her art. He provides a memorable commentary on the numerous series and individual works which reflect the artist's lyrical sensibility-- and which honor both the eye and the intellect. In the early 1930s Miss Lange moved away from formal portraits to seek her subjects outside of her studio. She recognized her fundamental commitment to people, and her work became the expression of an intense vision of ordinary people in ordinary circumstances of their life. Her immensely influential work for the Farm Security Administration called attention to the needs of rural America during the tragedy of the dust bowl years. Her recent and lesser known work from Ireland, Asia, and Egypt reveals the same sympathetic and perceptive response to the people of other cultures." - Book jacket.
What the Ruck?
A hilarious and informative insight into what really happens on and off the rugby pitch by the sport's most popular double act
