Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Sundials
Sundials are arguably the oldest of all scientific instruments. Their beauty is often a reflection of great craftsmanship, as well as a design statement that is highly ordered and rational. As objects that perform a function, yet require no power and perform indefinitely, they are a powerful symbol of endurance and permanence. This copiously illustrated book charts the evolution of sundials around the world from the earliest neolithic rondels and stone circles, such as Stonehenge, to the present day. This history is in effect the story of Man's understanding of the heavens, and his own place in the cosmos. Rich in cultural and religious significance, sundials represent the coming together of...
Gardens in My Life
'A world-renowned horticultural tour de force, Arabella Lennox-Boyd is one of the most accomplished landscape designers of our time' House and Garden 'Arabella Lennox-Boyd's memoir-like account is a complete joy to read as well as to look at... A must' Country Life 'Testament to an extraordinarily creative and blooming life' Tatler Arabella Lennox-Boyd is one of the foremost garden designers in the world. She has created some of the country's most stunning private gardens, in addition to commissions for the Serpentine Sackler Gallery and projects for Sting and Trudie Styler. Looking back over her extraordinary career, Arabella takes us on a tour of the gardens that have had a particular interest or meaning to her. She describes the inspirations that led to the final design and plant combination. Famed for her herbaceous borders and a passionate collector of plants and shrubs, Arabella imparts her expert wisdom on planting and offers practical advice on landscaping. The book will be illustrated with beautiful photography and accompanied by Arabella's sketches and planting plans.
The Anatomy of the Horse
This masterpiece of animal anatomy contains 36 plates that reproduce Stubbs' etchings. Based on the artist's own dissections and outline views, the illustrations feature extensive explanatory text. Full reproduction of 1766 edition.
The Jurist
None
It's Complicated
Surveys the online social habits of American teens and analyzes the role technology and social media plays in their lives, examining common misconceptions about such topics as identity, privacy, danger, and bullying.
George Stubbs
In a period when access to fine paintings was restricted, Stubbs's reputation was spread chiefly through his engravings. This catalogue raisonnE is the only single volume to contain all Stubbs's known engravings and provides a complete record of prints made by others after his works. Introductory essays consider Stubbs's relationships with other artists, particularly his engravers, and examine how the prints were originally marketed. Part 1 covers the more important prints issued during Stubbs's lifetime, some of which are published here for the first time. Each of the 218 entries is fully illustrated and accompanied by comparative material. Part 2 comprises 440 supplementary entries and indicates the nature and extent of Stubbs's posthumous reputation. This book also is the first substantial review of the work of a major 18th century British painter by reference to the important, but neglected, medium of reproductive prints.
John Major
None
Living in History
Challenging received ideas about the British Poetry Revival, Luke Roberts presents a new account of experimental poetry and literary activism. Drawing on a wide range of contexts and traditions, Living in History begins by examining the legacies of empire and exile in the work of Kamau Brathwaite, J. H. Prynne, and poets associated with the Communist Party and the African National Congress. It then focuses on the work of Linton Kwesi Johnson, Denise Riley, Anna Mendelssohn and others, in the development of liberation struggles around gender, race and sexuality across the 1970s. Tracking the ambivalence between poetic ambition and political commitment, and how one sometimes interferes with the other, Luke Roberts troubles the exclusions of 'British Poetry' as a category and tests the claims made on behalf avant-garde and experimental poetics against the historical record. Bringing together both major and neglected authorships and offering extended close readings, fresh archival research and new contextual evidence, Living in History is an ambitious and exciting intervention in the field.
