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George Stubbs And The Wide Creation
Far more than a fine horse portraitist, George Stubbs was a painter and a printmaker of the highest importance, on a par with his great contemporaries, Hogarth, Reynolds and Gainsborough. An artist-scientist who emulated Leonardo da Vinci, Stubbs tirelessly explored the natural world, and new ways of representing it. Born the son of a Liverpool tradesman, Stubbs was self-taught and at first struggled in obscurity as a northern provincial painter. Robin Blake's book uncovers Stubbs's origins and some of the secrets of his youth: sympathy with the Jacobite rebels and Catholicism; and a previously undocumented wife and family in York. A 'niece', Mary, became his mistress and lifelong companion,...
George Stubbs, Painter
George Stubbs is one of the greatest of British eighteenth-century painters, with a deep and unaffected sympathy for country life and the English countryside. This fully illustrated book outlines his career, followed by a catalogue raisonne (the first since Sir Walter Gilbey's short listing of 1898) of all his known works. One of the stickiest labels in the history of British art attached itself to Stubbs as 'Mr Stubbs the horse painter'. Over half of his paintings were of horses, each founded on the pioneering observations assembled (in 1766) in his book The Anatomy of the Horse; but Stubbs's wide-ranging subjects included portraits, conversation pieces and paintings of exotic animals from the Zebra to the Rhinoceros, as well as an extraordinarily sympathetic series of portraits of dogs.
A Memoir of George Stubbs
George Stubbs was one of the most original artists Britain ever produced. His extraordinary dedication to accuracy impelled him to spend 18 solitary months dissecting and drawing horses to make his landmark study, The Anatomy of the Horse. His portraits of people and animals combine an unflinchingly accurate gaze with profound psychological truth, yet he also created some of the most lyrical paintings of the age. Ozias Humphry, a colleague of Stubbs, recorded his many conversations with the painter, and the resulting manuscript became the basis for this present book.
George Stubbs
In a period when access to fine paintings was restricted, Stubbs's reputation was spread chiefly through his engravings. This catalogue raisonne is the only single volume to contain all Stubbs's known engravings and provides a complete record of prints made by others after his works. Introductory essays consider Stubbs's relationships with other artists, particularly his engravers, and examine how the prints were originally marketed. Part 1 covers the more important prints issued during Stubbs's lifetime, some of which are published here for the first time. Each of the 218 entries is fully illustrated and accompanied by comparative material. Part 2 comprises 440 supplementary entries and indicates the nature and extent of Stubbs's posthumous reputation. This book also is the first substantial review of the work of a major 18th century British painter by reference to the important, but neglected, medium of reproductive prints.
Fearful Symmetry
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The Anatomy of the Horse
This masterpiece of animal anatomy contains 36 plates that reproduce Stubbs' etchings. Based on the artist's own dissections and outline views, the illustrations feature extensive explanatory text. Full reproduction of 1766 edition.
The Art of George Stubbs
Primarily known as a horse painter, some rendered life-size up to 7' x 12, 'George Stubbs' work represents a social history of eighteenth century England. Most of his paintings were done on commission, including a number from the Prince of Wales. While paintings in the animal and hunting genre might be easily overlooked as merely decorative, Stubbs distinguished himself in this area with the use of stunning realism. Also included are his famous equine anatomical illustrations and engravings. The faithfully represented images in the book, with a text that illuminates Stubbs' life and times (1724-1806), allow for a true appreciation of the work and will help to round out any art book collection.
George Stubbs
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Tate British Artists
"George Stubbs (1724-1806) is one of Britain's best-loved painters. His pictures of famous racehorses and their riders and the more dramatic works showing horses and lions in combat are among the most familiar images in British art, prized for their subtlety, naturalism and piercing observation. Once marginalised as merely a humble sporting artist, Stubbs is now recognised as a key figure in British cultural tradition. In this highly original study, Martin Myrone presents a less familiar account of the artist. From his earliest anatomical studies through to his depictions of exotic animals and experiments with the industrialist Josiah Wedgwood, Stubbs is shown to have been dynamicallly engaged with the science, technology and popular culture of his day. He emerges from this new account as an artist more experimental and challenging than is conventionally thought."--Back cover.
