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George Stubbs was one of the most original artists Britain ever produced. His extraordinary dedication to accuracy impelled him to spend 18 solitary months dissecting and drawing horses to make his landmark study, The Anatomy of the Horse. His portraits of people and animals combine an unflinchingly accurate gaze with profound psychological truth, yet he also created some of the most lyrical paintings of the age. Ozias Humphry, a colleague of Stubbs, recorded his many conversations with the painter, and the resulting manuscript became the basis for this present book.
George Stubbs is one of the greatest of British eighteenth-century painters, with a deep and unaffected sympathy for country life and the English countryside. This fully illustrated book outlines his career, followed by a catalogue raisonne (the first since Sir Walter Gilbey's short listing of 1898) of all his known works. One of the stickiest labels in the history of British art attached itself to Stubbs as 'Mr Stubbs the horse painter'. Over half of his paintings were of horses, each founded on the pioneering observations assembled (in 1766) in his book The Anatomy of the Horse; but Stubbs's wide-ranging subjects included portraits, conversation pieces and paintings of exotic animals from the Zebra to the Rhinoceros, as well as an extraordinarily sympathetic series of portraits of dogs.
Primarily known as a horse painter, some rendered life-size up to 7' x 12, 'George Stubbs' work represents a social history of eighteenth century England. Most of his paintings were done on commission, including a number from the Prince of Wales. While paintings in the animal and hunting genre might be easily overlooked as merely decorative, Stubbs distinguished himself in this area with the use of stunning realism. Also included are his famous equine anatomical illustrations and engravings. The faithfully represented images in the book, with a text that illuminates Stubbs' life and times (1724-1806), allow for a true appreciation of the work and will help to round out any art book collection.
Illuminating and highly enjoyable biography of Stubbs, which places him in the context of eighteenth-century England. George Stubbs tirelessly studied and explored the natural world, and looked for new ways of representing it.
In a period when access to fine paintings was restricted, Stubbs's reputation was spread chiefly through his engravings. This catalogue raisonne is the only single volume to contain all Stubbs's known engravings and provides a complete record of prints made by others after his works. Introductory essays consider Stubbs's relationships with other artists, particularly his engravers, and examine how the prints were originally marketed. Part 1 covers the more important prints issued during Stubbs's lifetime, some of which are published here for the first time. Each of the 218 entries is fully illustrated and accompanied by comparative material. Part 2 comprises 440 supplementary entries and indicates the nature and extent of Stubbs's posthumous reputation. This book also is the first substantial review of the work of a major 18th century British painter by reference to the important, but neglected, medium of reproductive prints.
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George Stubbs: 'all done from Nature' presents the first significant overview of Stubbs's work in Britain for more than 10 years and brings together 100 paintings, drawings and publications, from the National Gallery's Whistlejacket to pieces that have never been seen in public. George Stubbs: 'all done from Nature' accompanies an exhibition organised by MK Gallery in Milton Keynes, which will be shown at MK Gallery and the Mauritshuis in The Hague. The publication includes new writing on Stubbs with major essays by Jenny Uglow, Martin Myrone, Martin Postle and Nicholas Clee as well as new and existing poetry by Roger Robinson. Born in Liverpool in 1724, Stubbs was a quintessential product o...