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Bjork
  • Language: en
  • Pages: 249

Bjork

  • Type: Book
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  • Published: 2003
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  • Publisher: ECW Press

The life and music of Iceland's Björk Gudmundsdottir, from her origins as a burgeoning child star and her days spent training on the battleground of Iceland's notoriously seditious punk scene to her eventual emergence as one of pop music's pioneering figu.

One-Track Mind
  • Language: en
  • Pages: 309

One-Track Mind

The song remains the most basic unit of modern pop music. Shaped into being by historical forces—cultural, aesthetic, and technical—the song provides both performer and audience with a world marked off by a short, discrete, and temporally demarcated experience. One-Track Mind: Capitalism, Technology, and the Art of the Pop Song brings together 16 writers to weigh in on 16 iconic tracks from the history of modern popular music. Arranged chronologically in order of release of the tracks, and spanning nearly five decades, these essays zigzag across the cultural landscape to present one possible history of pop music. There are detours through psychedelic rock, Afro-pop, Latin pop, glam rock,...

The Cambridge Companion to the Singer-Songwriter
  • Language: en

The Cambridge Companion to the Singer-Songwriter

Most often associated with modern artists such as Bob Dylan, Elton John, Don McLean, Neil Diamond, and Carole King, the singer-songwriter tradition in fact has a long and complex history dating back to the medieval troubadour and earlier. This Companion explains the historical contexts, musical analyses, and theoretical frameworks of the singer-songwriter tradition. Divided into five parts, the book explores the tradition in the context of issues including authenticity, gender, queer studies, musical analysis, and performance. The contributors reveal how the tradition has been expressed around the world and throughout its history to the present day. Essential reading for enthusiasts, practitioners, students, and scholars, this book features case studies of a wide range of both well and lesser-known singer-songwriters, from Thomas d'Urfey through to Carole King and Kanye West.

Wired TV
  • Language: en
  • Pages: 307

Wired TV

This collection looks at the post–network television industry’s heady experiments with new forms of interactive storytelling—or wired TV—that took place from 2005 to 2010 as the networks responded to the introduction of broadband into the majority of homes and the proliferation of popular, participatory Web 2.0 companies like Facebook, YouTube, and Twitter. Contributors address a wide range of issues, from the networks’ sporadic efforts to engage fans using transmedia storytelling to the production inefficiencies that continue to dog network television to the impact of multimedia convergence and multinational, corporate conglomeration on entrepreneurial creativity. With essays from...

The Alternative Rock Scene
  • Language: en
  • Pages: 50

The Alternative Rock Scene

"Read about the music, stars, clothes, contracts, and world of alternative rock music"--Provided by publisher.

Border Crossings
  • Language: en
  • Pages: 454

Border Crossings

  • Type: Book
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  • Published: 2003
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  • Publisher: Unknown

None

Fuse Magazine
  • Language: en
  • Pages: 448

Fuse Magazine

  • Type: Book
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  • Published: 2003
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  • Publisher: Unknown

None

Belle & Sebastian's If You're Feeling Sinister
  • Language: en
  • Pages: 118

Belle & Sebastian's If You're Feeling Sinister

If You're Feeling Sinister shows how Belle & Sebastian transformed themselves over the space of a decade, from a slightly shambolic cult secret into a polished, highly entertaining, mainstream pop group. Along the way, the book shows how the internet has revolutionized how we discover new music-often at the cost of romance and mystery.

The Encyclopedia of Popular Music
  • Language: en
  • Pages: 4183

The Encyclopedia of Popular Music

This text presents a comprehensive and up-to-date reference work on popular music, from the early 20th century to the present day.

Selling Digital Music, Formatting Culture
  • Language: en
  • Pages: 284

Selling Digital Music, Formatting Culture

Selling Digital Music, Formatting Culture documents the transition of recorded music on CDs to music as digital files on computers. More than two decades after the first digital music files began circulating in online archives and playing through new software media players, we have yet to fully internalize the cultural and aesthetic consequences of these shifts. Tracing the emergence of what Jeremy Wade Morris calls the “digital music commodity,” Selling Digital Music, Formatting Culture considers how a conflicted assemblage of technologies, users, and industries helped reformat popular music’s meanings and uses. Through case studies of five key technologies—Winamp, metadata, Napster...