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Classical Vertigo
Alfred Hitchcock’s Vertigo has dazzled and challenged audiences with its unique aesthetic design and startling plot devices since its release in 1958. In Classical Vertigo: Mythic Shapes and Contemporary Influences in Hitchcock’s Film, Mark William Padilla analyzes antecedents including: (1) the film’s source novel, D’entre les morts (Among the Dead), (2) the earlier symbolist novel, Rodenbach’s Bruges-la-morte, and (3) the first-draft screenplay of Maxwell Anderson, a prominent Broadway dramatist and Hollywood scenarist from the 1920s to the 1950s. The presence of Vertigo amid these texts reveals and clarifies how themes from Greco-Roman antiquity emerge in Hitchcock’s project. Padilla analyzes narrative figures such as Prometheus and Pandora, Persephone and Hades, and Pygmalion and Galatea, as well as themes like the dark plots of Greek tragedy, to reveal how Hitchcock used allusive form to construct an emotionally powerful experience with an often-minimalist script. This analysis demonstrates that Vertigo is a multifaceted work of intertextuality with artistic and cultural roots extending into antiquity itself.
Cross-dressing in the Middle Ages
By encompassing the hagiographies of the first centuries, the most famous case of Joan of Arc, numerous chivalrous novels, and the overlooked accounts of the fourteenth and fifteenth centuries, this is the first study to consider cross-dressing for the entire medieval age. Cross-dressing is a thought-provoking practice in a world that, in theory, adheres to neat distinctions of the functions and attires of males and females in society; this volume demonstrates that only a long-term analysis can fully account for the phenomenon in its various facets. If dress is a gender marker, the argument that it also marks many other conditions beyond the man–woman binary cannot be ignored. There is a dress for the cleric and one for the layman; there is the dress of the rich and that of the poor. In some cases, these other binary distinctions are intertwined with that of sex and gender, and this intersectional perspective is developed through a wide range of sources read with philological rigour. The narrative style makes this book accessible to both students and general readers interested in the history of sexuality, gender history, and medieval studies.
Classical Myth in Alfred Hitchcock's Wrong Man and Grace Kelly Films
Mark Padilla’s classical reception readings of Alfred Hitchcock features some of the director’s most loved and important films, and demonstrates how they are informed by the educational and cultural classicism of the director’s formative years. The six close readings begin with discussions of the production histories, so as to theorize and clarify how classicism could and did enter the projects. Exploration of the films through a classical lens creates the opportunity to explore new themes and ideological investments. The result is a further appreciation of both the engine of the director’s storytelling creativity and the expressionism of classicism, especially Greek myth and art, in...
Birth of Nomos
This is a highly original, interdisciplinary study of the archaic Greek word nomos and its family of words. Includes extracts from ancient sources, in both the original and English translation, to give us a new and complete understanding of nomos and its foundational place in the Western legal tradition.
USA v The Mongols Outlaw Motorcycle Gang
Cases 2:08?cr?01201?FMC?2 In California And 1:08-cr-00340-REB-8 In Colorado Federal Coiurt Charge Members Of The Mongols Leadership WIth:- RACKETEER INFLUENCED AND CORRUPT ORGANIZATIONS CONSPIRACY - VIOLENT CRIME IN AID OF RACKETEERING - CONSPIRACY TO DISTRIBUTE METHAMPHETAMINE - RACKETEER INFLUENCED AND CORRUPT ORGANIZATIONS - USE OF A FIREARM IN FURTHERANCE OF CRIME OF VIOLENCE OR DRUG TRAFFICKING CRIME: - CONSPIRACY OF LAUNDER MONEY - CONSPIRACY TO LAUNDER MONEY, AIDING AND ABETTING - VIOLENT CRIME IN AID OF RACKETEERING - PENALTIES FOR CORRUPT ORGANIZATIONS - CRIMINAL FORFEITURE
A Directory of Oral History Interviews Related to the Federal Courts
This work was produced in furtherance of the Center's statutory mandate to conduct, coordinate, and encourage programs relating to the history of the judicial branch ...
Classical Myth in Four Films of Alfred Hitchcock
Classical Myth in Four Films of Alfred Hitchcock presents an original study of Alfred Hitchcock by considering how his classics-informed London upbringing marks some of his films. The Catholic and Irish-English Hitchcock (1899-1980) was born to a mercantile family and attended a Jesuit college preparatory, whose curriculum featured Latin and classical humanities. An important expression of Edwardian culture at-large was an appreciation for classical ideas, texts, images, and myth. Mark Padilla traces the ways that Hitchcock’s films convey mythical themes, patterns, and symbols, though they do not overtly reference them. Hitchcock was a modernist who used myth in unconscious ways as he soug...
