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Yiddish literature and culture take a central position in Jewish literatures. They are shaped to a high degree, not least through migration, by encounter, transfer, and transformation. Translation, sustained by writers, translators, journalists amongst others, encompasses besides texts also discourses, concepts and medialities. The volume's contributions negotiate this dynamic field between Yiddish studies, translation and world literature in different spatial and temporal contexts. The focus on translation in Yiddish literature and culture allows insights into the glocal Yiddish cultural production as well as it delivers incentives to current transdisciplinary cultural theories.
Graphic artist, illustrator, painter, and cartoonist Rahel Szalit (1888–1942) was among the best-known Jewish women artists in Weimar Berlin. But after she was arrested by the French police and then murdered by the Nazis at Auschwitz, she was all but lost to history, and most of her paintings have been destroyed or gone missing. Drawing on a range of primary and secondary sources, this biography recovers Szalit’s life and presents a stunning collection of her art. Szalit was a sought-after artist. Highly regarded by art historians and critics of her day, she made a name for herself with soulful, sometimes humorous illustrations of Jewish and world literature by Sholem Aleichem, Heinrich ...
Missing from most accounts of the modern history of Jews in Europe is the experience of what was once the largest Jewish community in the world—an oversight that Gershon David Hundert corrects in this history of Eastern European Jews in the eighteenth century. The experience of eighteenth-century Jews in the Polish-Lithuanian Commonwealth did not fit the pattern of integration and universalization—in short, of westernization—that historians tend to place at the origins of Jewish modernity. Hundert puts this experience, that of the majority of the Jewish people, at the center of his history. He focuses on the relations of Jews with the state and their role in the economy, and on more "internal" developments such as the popularization of the Kabbalah and the rise of Hasidism. Thus he describes the elements of Jewish experience that became the basis for a "core Jewish identity"—an identity that accompanied the majority of Jews into modernity.
Tragedy at Graignes tells the story of Captain Bud Sophian, the only US Army officer who did not flee Graignes, France, as the Waffen SS overran the American positions and stormed the village. Sophian was a surgeon, and he refused to abandon the fourteen wounded paratroopers in his care. He surrendered by waving a white flag at the door of the badly shelled Norman church where his aid station was located. He hoped for fair prisoner treatment in accordance with the Geneva Convention of 1929. The German troops instead committed unspeakable atrocities, leaving many of the American prisoners mutilated in grotesque heaps. All of the American prisoners, including Sophian, were killed. Captain Sophians judgment and actions in the US Army were the culmination of the rich and challenging life he led prior to the Second World War. Buds correspondence with his sister and other Sophian archival materials tell the story of this compelling life. These letters are reproduced verbatim in Tragedy at Graignes: The Bud Sophian Story so that Bud and other authors may speak directly to you and to the historical record.
"The available sources on Hasidic society at the turn of the twentieth century create an impression of discontented Jewish youth and panicked parents, but not inexorable crisis and decline. Though the First World War and post-war pogroms further destabilized Hasidic society, they inadvertently created opportunities for the reinvention and revitalization of traditionalist education. The challenges of the early twentieth century would prove more galvanizing than demoralizing for certain visionary, reform-minded Hasidic leaders"--
Pairing the two concepts of diaspora and modernism, Allison Schachter formulates a novel approach to modernist studies and diasporic cultural production. Diasporic Modernisms illuminates how the relationships between migrant writers and dispersed readers were registered in the innovative practices of modernist prose fiction. The Jewish writers discussed-including S. Y. Abramovitsh, Yosef Chaim Brenner, Dovid Bergelson, Leah Goldberg, Gabreil Preil, and Kadia Molodowsky--embraced diaspora as a formal literary strategy to reflect on the historical conditions of Jewish language culture. Spanning from 1894 to 1974, the book traces the development of this diasporic aesthetic in the shifting cente...
Many books on Holocaust survivors deal with their lives in the Displaced Persons camps, with memory and remembrance, and with the nature of their testimonies. Representing scholars from different countries and different disciplines such as history, sociology, demography, psychology, anthropology, and literature, this collection explores the survivors’ return to everyday life and how their experience of Nazi persecution and the Holocaust impacted their process of integration into various European countries, the United States, Argentina, Australia, and Israel. Thus, it offers a rich mix of perspectives, disciplines, and communities.
Between Borders tells and contextualizes the stories of these Jewish migrants and refugees before and after the First World War. It explains how immigration laws in countries such as the United States influenced migration routes around the world. Using memoirs, letters, and accounts by investigative journalists and Jewish aid workers, Tobias Brinkmann sheds light on the experiences of individual migrants, some of whom laid the foundation for migration and refugee studies as a field of scholarship.