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The Silenced Theatre
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Good-bye, Samizdat
Good-by, Samizdat offers the first collection of some of the best of underground texts. Divided into three sections, it includes fiction, cultural and political writing, and philosophical essays. The writings reflect the creative thought of some of the best minds of modern times, from the well-known - Ivan Klima, Ludvik Vaculik, Vaclav Havel - to writers who are as yet unknown in the West.
Three Faces of an Angel
A captivating three-generational saga set in the twentieth century, beginning when time was linear and ending with a less well-defined notion of progress.
The Silenced Theatre
Since the Soviet occupation of 1968 censorship has closed the curtain on free expression in Czechoslovakia. But plays continue to be circulated in typescript within the country, are regularly smuggled out for publication abroad, and continue to be produced without restriction in the West. This book is the first full-length study of Czechoslovak drama of the sixties and seventies. The author discusses the works of major playwrights, including Václav Havel, Pavel Kohout, and Josef Topol; and the influence of the great Czech writers Kafka and Hašek as well as Western writers such as Beckett, Sartre, and Albee. Czech and Slovak playwrights have responded in a distinctive, courageous, and often...
Trial by Theatre
The motto Národ sobě – “From the Nation to Itself” – inscribed over the proscenium arch of Prague’s National Theatre symbolizes the importance theatre holds for the Czechs. During the National Awakening of the 19th century, theatre took the place of politics, becoming an instrument of national identity in the hands of the revivalists. In what was then part of a German-speaking empire, the Czechs devised a complex and evocative theatre language made up of allegory, allusion, juxtaposition, games, wordplay, legend, history, illusion and music. A sophisticated avant-garde theatre flowered in Czechoslovakia between the wars, and became a symbol of independence during the Nazi occupat...
Critical Essays on Václav Havel
A collection of critical essays on a Czech playwright and president, showing him from various perspectives. Contributions range from political analyses and historical assessments to linguistic interpretations, tributes, and personal memories. Themes include connections between his writing and his political career, his political thought, analysis of specific plays, Havel in the minds of his countrymen, and Havel on the role of the president. Annotation copyrighted by Book News, Inc., Portland, OR
The Dissident Politics in Václav Havel’s Vanek Plays
The Dissident Politics in Václav Havel’s Vaněk Plays: Who Is Ferdinand Vaněk Anyway focuses on Ferdinand Vaněk, a semi-autobiographical character created by Václav Havel and featured in a series of nine plays written by Havel himself and three other dissident writers – Pavel Kohout, Pavel Landovský, and Jiří Dienstbier. By exploring the ‘Vaněk experience,’ Carol Strong details a multi-episodic, absurdist journey that provides an ‘insider’s view’ of the challenges facing those daring enough to question the status quo, a view that remains relevant today. Strong’s contention is that the lines found in these plays served as a ‘secret language’ of dissent in Cold War ...
Totalitarianism on Screen
From its creation in 1950, to the fall of the Berlin Wall in 1989, the German Democratic Republic’s Ministry for State Security closely monitored its nation’s citizens. Known as the Staatssicherheit or Stasi, this organization was regarded as one of the most repressive intelligence agencies in the world. Florian Henckel von Donnersmarck’s 2006 film The Lives of Others (Das Leben der Anderen) has received international acclaim—including an Academy Award, an Independent Spirit Award, and multiple German Film Awards—for its moving portrayal of East German life under the pervasive surveillance of the Stasi. In Totalitarianism on Screen, political theorists Carl Eric Scott and F. Flagg ...
Václav Havel
More than any other public figure, VOclav Havel has reflected on the opportunities and dilemmas facing humankind as a result of the collapse of Communism. In VOclav Havel: Civic Responsibility in the Postmodern Age, James F. Pontuso argues that Havel's life as a dissident and political leader, his political philosophy, and his plays must be understood as connected to one another. Pontuso skillfully explores these connections and explains Havel's prescriptions for political life.
Forms of Exile in Jewish Literature and Thought
Forms of Exile in Jewish Literature and Thought deals with the concept of exile on many levels—from the literal to the metaphorical. It combines analyses of predominantly Jewish authors of Central Europe of the twentieth century who are not usually connected, including Kafka, Kraus, Levi, Lustig, Wiesel, and Frankl. It follows the typical routes that exiled writers took, from East to West and later often as far as America. The concept and forms of exile are analyzed from many different points of view and great importance is devoted especially to the forms of inner exile. In Forms of Exile in Jewish Literature and Thought, Bronislava Volková, an exile herself and thus intimately familiar with the topic through her own experience, develops a unique typology of exile that will enrich the field of intellectual and literary history of twentieth-century Europe and America.
