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Catholic Reform in the Age of Luther
In his portrait of Duke George of Saxony (1471–1539) Christoph Volkmar offers a fresh perspective on the early Reformation in Germany. Long before the Council of Trent, this book traces the origins of Catholic Reform to the very neighborhood of Wittenberg. The Dresden duke, cousin of Frederick the Wise, was one of Luther's most prominent opponents. Not only did he fight the Reformation, he also promoted ideas for renewal of the church. Based on thousands of archival records, many of them considered for the first time, Christoph Volkmar is mapping the church politics of a German prince who used the power of the territorial state to boost Catholic Reform, marking a third way apart from both Luther and Trent. This book was orginally published in German as Reform statt Reformation. Die Kirchenpolitik Herzog Georgs von Sachsen, 1488-1525.
An Artist Against the Third Reich
The conflict between National Socialism and Ernst Barlach, one of the important sculptors of the twentieth century, is an unusual episode in the history of Hitler's efforts to rid Germany of 'international modernism'. Barlach did not passively accept the destruction of his sculptures. He protested the injustice, and continued his work. The author's discussion of Barlach's art and struggle over creative freedom, are joined to an analysis of Barlach's opponents. Peter Paret's fine study of an artist in a time of crisis seamlessly combines the history of modern Germany and the history of modern art.
Ark of Civilization
Ark of Civilization: Refugee Scholars and Oxford University, 1930-1945 addresses Oxford's role as a shelter, a meeting point, and a center of thought in the arts and humanities in the midst of WWII, interweaving personal and global histories to explore how refugee scholars had a profound and lasting impact on the development of British culture.
From Gutenberg to Luther
Printed book cultures in Scandinavia before 1525 were formed by their vicinity to expanding European book markets. Collections of prints were founded, decisions on printing books in Scandinavia were based upon thorough knowledge of what printers on the continent achieved in question of volume, quality and price. Building on a large database of contemporary provenances and statistical analyses of every possible aspect of peripheral book markets, as well as on new readings of many old and new sources, this book recalibrates scholarly looks on Scandinavian book history before the Reformation. The result is a fresh portrait of a dynamic period in cultural history which places Scandinavia, though in the geographical periphery of Europe, in the middle of European printing.
Lateness and Modernity in Medieval Architecture
This volume engages with notions of lateness and modernity in medieval architecture, broadly conceived geographically, temporally, methodologically, and theoretically. It aims to (re)situate secular and religious buildings from the 14th through the 16th centuries that are indebted to medieval building practices and designs, within the more established narratives of art and architectural history.
The Book Triumphant
Books printed in the fifteenth century have been the subject of much in-depth research. In contrast, the beginning of the sixteenth century has not attracted the same scholarly interest. This volume brings together studies that charter the development of printing and bookselling throughout Europe during the sixteenth and seventeenth centuries. It presents new research and analysis on the impact of the Reformation, on how texts were transmitted and on the complex relationships that affected the production and sale of books. The result is a wide-ranging reappraisal of a vital period in the history of the printed book. Contributors include Zsuzsa Barbarics-Hermanik, Jürgen Beyer, Amy Nelson Burnett, Neil Harris, Brenda M. Hosington, Johannes Hund, Henning P. Jürgens, Justyna Kiliańczyk-Zięba, Hans-Jörg Künast, Urs Bernhard Leu, Matthew McLean, Andrew Pettegree, David Shaw, Christoph Volkmar, Hanno Wijsman and Alexander Wilkinson.
The Structures of Practical Knowledge
The Structures of Practical Knowledge investigates the nature of practical knowledge – why, how, when and by whom it is codified, and once codified, how this knowledge is structured. The inquiry unfolds in a series of fifteen case studies, which range in focus from early modern Italy to eighteenth century China. At the heart of each study is a shared definition of practical knowledge, that is, knowledge needed to obtain a certain outcome, whether that be an artistic or mechanical artifact, a healing practice, or a mathematical result. While the content of practical knowledge is widely variable, this study shows that all practical knowledge is formally equivalent in following a defined work...
A Renaissance Architecture of Power
The growth of princely states in early Renaissance Italy brought a thorough renewal to the old seats of power. One of the most conspicuous outcomes of this process was the building or rebuilding of new court palaces, erected as prestigious residences in accord with the new ‘classical’ principles of Renaissance architecture. The novelties, however, went far beyond architectural forms: they involved the reorganisation of courtly interiors and their functions, new uses for the buildings, and the relationship between the palaces and their surroundings. The whole urban setting was affected by these processes, and therefore the social, residential and political customs of its inhabitants. This is the focus of A Renaissance Architecture of Power, which aims to analyse from a comparative perspective the evolution of Italian court palaces in the Renaissance in their entirety. Contributors are Silvia Beltramo, Flavia Cantatore, Bianca de Divitiis, Emanuela Ferretti, Marco Folin, Giulio Girondi, Andrea Longhi, Marco Rosario Nobile, Aurora Scotti, Elena Svalduz, and Stefano Zaggia.
