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Koshirae - Japanese Sword Mountings
With this publication I try to systematically and comprehensively process the subject of ,,Japanese sword mountings". It was not my goal to depict as many extant interpretations of sword mountings as possible but to deal with their different styles. With this publication the reader will be informed in which way the Japanese swords were mounted over time, the origins of the various styles, what changes they underwent and it will also serve as a reference material to classify extant specimen. In this sense the descriptions were embedded in an explanation of their historical context rather then listing them simply by their interpretation or in alphabetical order. As the main focus lies on ,,koshirae", explanations on the sword fittings - the tosogu - were omitted because their descriptions can be easily found elsewhere. Also, the military mountings - the gunto-koshirae - were left out because there are excellent publications available which deal with them in great detail.
Index of Japanese Swordsmiths A-M
"This index contains a comprehensive listing of more than 20,000 Japanese swordsmiths, from the early days right down to modern times, i.e. from kotô to shinsakutô. It is not simply a list of names, it also provides biographical information according to the extent of a smith's fame. Aim is to give the reader a coherent picture of a certain smith, that means his civilian name, how did he sign, in which style did he work, and who was his master or his school environment. Thereby, the most common theories on a smith are included and discrepancies in the transmissions are pointed out. This work is a revised and completely new recorded list of smiths by incorporating all relevant Japanese and non-Japanese sources. Incorrect entries and double listings were deleted and readings corrected. The smiths are listed in alphabetical order and sorted according to their used characters. A list of all characters used in the names of the smiths in this index is available, sorted by stroke order, so that the search of a smith with an unknown reading is also possible."--Back cover.
Masamune - His Work, his Fame and his Legacy (PB)
It is often said that Masamune was the greatest Japanese swordsmith of all times From a mere technical point of view, it is next to impossible to say if there was one "greatest" swordsmith as the country brought forth so many great master smiths. Each of these masters had a personal approach in producing a perfect sword, and within these elite circles we are not only referring to technical perfection but also to aesthetical considerations. So putting aside the claim to name a "greatest," we can at least say for sure that Masamune is by far the most famous swordsmith of Japan. The aim of this publication is to contribute to the understanding and appreciation of this great master, that is to say by not only presenting his works but also by providing a newly researched and detailed historic overview of his life and the circumstances in the establishment of a new forging tradition. This publication introduces more than 50 of his meibutsu (noted swords). PLEASE SEE LULU.COM FOR THE HARDCOVER COLOR DELUXE EDITION.
Identifying Japanese Seal Script
The purpose of this publication is to provide a basic guide and reference for identifying Japanese seal script. The most effective way of identifying a seal script is by its radical, a graphical component under which the character is traditionally listed in a dictionary. The radicals used here are the Japanese version of the 214 Chinese Kangxi radicals.The first thing to do is to identify the radical under which the character is most likely to have been indexed.To begin with, this dictionary offers a RADICAL SECTION. If you think you found a match with the supposed radical for the seal character in question, then go to the page which lists the characters grouped under that radical. This dictionary contains approximately 4,000 characters. As mentioned, the purpose of this publication is to provide a basic guide and reference. It is not meant as a comprehensive seal script dictionary offering different interpretations of each seal character.
The Yonezawa Matchlock. Mighty Gun of the Uesugi Samurai
This is a book about the famous Uesugi-family and their history from the 15th century until the fall of the shogunate. What makes this book truly unique is that it also takes an indepth look at the history of the Japanese matchlock. The Uesugi lords and their retainers managed to develop a quite unique style of matchlock which would serve them from the Siege of Osaka in 1614 until the very end of the Edo period. This development took place in the old castle-town of Yonezawa which was home to the Uesugi-clan. This is one of the first books ever written in English that focus on the Japanese matchlock and how it influenced the samurai who lived and fought under the shadow of their famous ancestor Uesugi Kenshin. This is a book for everyone interested in samurai history. The content is based on four years of research and several trips to the region.
Genealogies and Schools of Japanese Swordsmiths
My aim with this publication is to make the major genealogies of Japanese swordsmiths and their schools from the kotô to the shintô and shinshintô periods easily accessible to the Western reader, namely in that they are complete and have been revised for the first time, in a single book. The publication begins with a brief introduction to the history of Japanese sword literature. Ziel dieser Publikation ist es, dem westlichen Leser die Stammbäume japanischer Schmiede und deren Schulen von der kotô- über die shintô- bis zur shinshintô-Periode erstmals gesammelt und revidiert zugänglich zu machen. Diese Publikation beinhaltet zudem eine kurze Einführung in die Geschichte der japanischen Schwertliteratur.
Genealogies and Schools of Japanese Swordsmiths
My aim with this publication is to make the major genealogies of Japanese swordsmiths and their schools from the kotô to the shintô and shinshintô periods easily accessible to the Western reader, namely in that they are complete and have been revised for the first time, in a single book. The publication begins with a brief introduction to the history of Japanese sword literature. Ziel dieser Publikation ist es, dem westlichen Leser die Stammbäume japanischer Schmiede und deren Schulen von der kotô- über die shintô- bis zur shinshintô-Periode erstmals gesammelt und revidiert zugänglich zu machen. Diese Publikation beinhaltet zudem eine kurze Einführung in die Geschichte der japanischen Schwertliteratur.
Swords from the Nihonto-Club Germany 2
After about two years we are proud to present the second catalogue of the Nihonto-Club Germany. Again, and with the support of our members, we have collected and catalogued altogether 31 blades whereas this time tsuba and kodogu also appear in the catalogue. This publication not only introduces "well-known" and "classical" items but also fine blades by rare masters like Jitsu ́a, Ko-Hoki Sadatsuna, or the 3rd generation Hizen-Tadayoshi for example. The order follows the usual way, i.e. Koto, Sue-Koto, Keicho-Shinto, Shinto, Shinshinto, and Gendaito.
The Honami Family
The Hon ́ami were the official sword appraisers and polishers of the shogunate. Besides that, they also issued origami appraisals for blades. This book provides an overview of the different lineages of the Hon ́ami, introduces individual family representatives, and also deals with their works, the practice of origami, sword appraisal, and much more.
The Japanese toso-kinko Schools
This book deals systematically, for the first time in English, with all the Japanese tôsô-kinkô schools and sorted by their production sites such as Kyôto, Edo, Mito, Higo and the like. Comprehensive cross references are given for the origins of the individual schools and the master-student relationship(s) of the individual artists, supported by genealogies for the larger schools. In addition, a detailed introduction of the historical context of the Japanese tôsô-kinkô, the manufacturers of sword fittings, is given at the beginning. Also added is an extensive index containing all the names, first names and pseudonyms of the artists introduced in this publication.
