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This interdisciplinary and comparative volume offers a systematic approach to the early Greek tale. Bringing similarities and differences between ancient Greek and early Byzantine tales to the fore, this volume thus creates new knowledge in the fields of classics, medieval studies, and literary studies. Its chapters discuss the theory and poetics of tales, the art of storytelling, inherent features of the tale, and the arrangement, types, and characteristics of tales in collections. The chapter authors base their approaches on a rich variety of texts and writers that are here discussed for the first time in one volume. Contributors are: Andria Andreou, Stavroula Constantinou, Julia Doroszewska, Christian Høgel, Markéta Kulhánková, Ingela Nilsson, Nicolò Sassi, and Sophia Xenophontos.
What is the contemporary cultural legacy of Byzantium or The Eastern Roman Empire? This book explores the varied reception history of the Byzantine Empire across a range of cultural production. Split into four sections: the origins of 'Byzantomania' in France, modern media, literature, and politics, it provides case studies which show the numerous ways in which the empire's legacy can be felt today. Covering television, video games and contemporary political discourse, contributors also consider a wide range of national and geographical perspectives including Russian, Turkish, Polish, Greek and Hungarian. It will be essential reading for scholars and students of the reception and cultural history of the Byzantine Empire.
Hochsprachliche rhetorische Texte waren ein wichtiges Mittel der sozialen Positionierung in Byzanz. Von besonderer Bedeutung war dabei die enkomiastische, d. h. lobende Dichtung. Das Buch widmet sich den enkomiastischen Gedichten des wichtigsten Dichters der Palaiologenzeit, Manuel Philes (ca. 1270 – nach 1332), dessen Werk trotz seiner Bedeutung weitestgehend unerforscht ist. Die Arbeit bietet eine Untersuchung von etwa 17.000 Versen, d.h. etwa 2/3 des von Philes überlieferten Werkes, und verbindet eine philologische mit einer kulturwissenschaftlichen Analyse. Zunächst stehen literarische Fragen, insbesondere die Gattung, Motivik und Formelemente im Zentrum. Darauf aufbauend werden die literarischen und sozialen Funktionen der Gedichte modellhaft erläutert. Schließlich werden die Umstände der Produktion und Rezeption untersucht, insbesondere die Motivationen für das Verfassen von Gedichten, die Darbringung der Texte in schriftlicher und mündlicher Form sowie Fragen der Rekontextualisierung. Diese Monographie bietet die erste komplexe Analyse von Manuel Philes’ Werk und gewährt tiefe Einblicke in das literarische und soziale Leben in Konstantinopel.
This volume explores various forms, functions and meanings of satirical texts written in the Middle Byzantine period.
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Intro; Arabische Studien; Table of Contents; Acknowledgements; Introduction; Abu Dulama, Abu s-Samaqmaq and Other Early; 1.1 The Early Kufans; 1.2 Abu Dulama; 1.3 Abu s-Samaqmaq; 1.4 Abu Firʻawn as-Sasi; Ibn al-Hajjaj and the Yatima Poets; 2.1 The Yatīma Poets; 2.2 Ibn al-Hajjāj; Ibn Quzman and His Predecessors; 3.1 Begging Poetry and Sakwā Prior to Ibn Quzmān; 3.2 Ibn Quzmān; Epilogue; Bibliography; Appendix: Select Arabic Texts; Index: Names of Poets.
Letters were an important medium of everyday communication in the ancient Mediterranean. Soon after its emergence, the epistolary form was adopted by educated elites and transformed into a literary genre, which developed distinctive markers and was used, for instance, to give political advice, to convey philosophical ideas, or to establish and foster ties with peers. A particular type of this genre is the letter cast in verse, or epistolary poem, which merges the form and function of the letter with stylistic elements of poetry. In Greek literature, epistolary poetry is first safely attested in the fourth century AD and would enjoy a lasting presence throughout the Byzantine and early modern...
In twenty-five chapters by leading scholars, this volume propagates a nuanced understanding of Byzantine "literature", highlighting key problems, and presenting basic research tools for an audience of specialists and non-specialists.