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Contemporary Women's Writing
This wide-ranging study provides a historically grounded account of women's fiction in the 1960s and the 1970s, relating changes in the social structure of Britain and the United States to the literary representations of women's experience.
Women’s Writing, Englishness and National and Cultural Identity
An original mapping of women's writing in the 1940s and 1950s, this book looks at Englishness and national identity in women's writing and includes writing from Scotland, Wales, Ireland the Indian subcontinent and Africa. The authors discussed include Virginia Woolf, Daphne Du Maurier, Doris Lessing and Muriel Spark.
Women’s Writing, Englishness and National and Cultural Identity
An original mapping of women's writing in the 1940s and 1950s, this book looks at Englishness and national identity in women's writing and includes writing from Scotland, Wales, Ireland the Indian subcontinent and Africa. The authors discussed include Virginia Woolf, Daphne Du Maurier, Doris Lessing and Muriel Spark.
'Ladies, Please Don't Smash These Windows'
This thought-provoking study offers a radically new perspective on the literature of the interwar period. Writing from a feminist-materialist perspective, the author examines novels of sensibility, domestic fictions, lesbian writing, autobiography, speculative fiction and anti-fascist writing by Virginia Woolf, Rebecca West, Rosamond Lehmann, Radclyffe Hall and many others. Maroula Joannou provides an incisive, scholarly and accessible feminist critique of the masculinist assumptions about literature of the 1920s and 1930s which have passed without adequate critical scrutiny.Selected for the CHOICE list of Outstanding Academic Books for 1995 (Choice current reviews for Academic Libraries)
The Women's Suffrage Movement
Presents the best of recent feminist scholarship on the suffrage movement, illustrating its complexity, richness and diversity.
Women Writers of the 1930s
This volume of new writings has a double purpose: to question Auden's description of the 1930s as a 'low dishonest decade' and to draw attention to the richness, complexity and diversity of women's writing of the period and how this deals with issues of politics, gender and history. The writers discussed include Elizabeth von Arnim, Elizabeth Bowen, Katherine Burdekin, Nancy Cunard, Storm Jameson, Rosamond Lehmann, Naomi Mitchison, Jean Rhys, Sylvia Townsend Warner, Rebecca West and Virginia Woolf.Key Features* A clear and informative introduction by Maroula Joannou sets the writers in historical and literary context* The essays deal with Modernist texts as well as traditional modes of writing, and with neglected and well-known writers* An important challenge to the ways in which the literature of the 1930s has been traditionally understood which questions the myth of the Auden generation* Brings together a range of distinguished contributors all of whom are experienced university teachers who all contribute new research
The Life and Turbulent Times of Clara Dorothea Rackham
This is the first critical study of Clara Dorothea Rackham née Tabor (1875–1966), a towering figure in the suffrage, labour, co-operative, peace, and adult education movements but virtually forgotten today. This clearly written and engaging study is based on unpublished primary sources including Rackham’s unpublished speeches, letters, diaries, and contemporary media coverage of her work in local and national archives. It reassesses this remarkable woman not only as a politician who changed the face of Cambridge, the university city in which she lived and worked, but also as a public intellectual whose feminist advocacy of a fair, just, and equal society helped pave the way to Britainâ€...
The History of British Women's Writing, 1920-1945
Featuring sixteen contributions from recognized authorities in their respective fields, this superb new mapping of women's writing ranges from feminine middlebrow novels to Virginia Woolf's modernist aesthetics, from women's literary journalism to crime fiction, and from West End drama to the literature of Scotland, Ireland and Wales.
At Home and Abroad in the Empire
This book builds upon critical reevaluations of modernism and British literature of the 1930s with a simultaneous focus on discourses of race, gender, and empire. The essays direct attention to the complications and ambivalence accumulating around the meanings of Englishness. They reject analyses of texts as chronicles of personal psychological development in favor of analyses that assume texts are shaped by their authors' public intellectual involvement. In addition, they offer detailed, specific explorations of ways in which British women in the 1930s narrativize empire and war. Thus they will resonate with significance for readers in the early twenty-first century for whom empire and war, as well as terror and security, are part of the discourse of everyday life. Robin Hackett is an Associate Professor of English at the University of New Hampshire. Freda S. Hauser is an independent scholar. Gay Wachman is retired from the State University of New York-Old Westbury.
Home in British Working-Class Fiction
Home in British Working-Class Fiction offers a fresh take on British working-class writing that turns away from a masculinist, work-based understanding of class in favour of home, gender, domestic labour and the family kitchen. As Nicola Wilson shows, the history of the British working classes has often been written from the outside, with observers looking into the world of the inhabitants. Here Wilson engages with the long cultural history of this gaze and asks how ’home’ is represented in the writing of authors who come from a working-class background. Her book explores the depiction of home as a key emotional and material site in working-class writing from the Edwardian period through...
