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Poetry. Native American Studies. A superb collection of poems rooted in remembering the past, and transcending the confinement imposed by poverty. As Robert Kelly writes in the introduction: "Reading Celia Bland's poetry, especially the acute lyrics in this book, I have the feeling of being taken by the hand of a sensitive quiet guide and shown time after time quick narratives, microtomes of life, that speak their own word. Word of a town, maybe, of a family, or a race, or perhaps even, after reading, the sense of a nation-word that has been spoken." "Never in the midst of this world of disorder is the poems' music given short shrift. Each piece is infused with it...That attention to beauty ...
In 1898 in Wilmington, N.C., on the verge of elections that will determine the course of local segregation and the fate of black residents, Troy and Randy encounter a mystery that could tear the city apart.
Explores strange, unexplained phenomena such as UFOs, incredible creatures, vanishings, legendary places, and more.
For her five volumes of poetry over the course of her career, Jane Cooper (1924–2007) was deeply admired by her contemporaries, and teaching at Sarah Lawrence College for nearly forty years, she served as a mentor to many aspiring poets. Her elegant, honest, and emotionally and formally precise poems, often addressing the challenges of women’s lives—especially the lives of women in the arts—continue to resonate with a new generation of readers. Martha Collins and Celia Bland bring together several decades’ worth of essential writing on Cooper’s poetry. While some pieces offer close examination of Cooper’s process or thoughtful consideration of the craft of a single poem, the vo...
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Sibert Honor Medalist ∙ Kirkus' Best of 2015 list ∙ School Library Journal Best of 2015 ∙ Publishers Weekly's Best of 2015 list ∙ Horn Book Fanfare Book ∙ Booklist Editor's Choice On August 29, 2005, Hurricane Katrina's monstrous winds and surging water overwhelmed the protective levees around low-lying New Orleans, Louisiana. Eighty percent of the city flooded, in some places under twenty feet of water. Property damages across the Gulf Coast topped $100 billion. One thousand eight hundred and thirty-three people lost their lives. The riveting tale of this historic storm and the drowning of an American city is one of selflessness, heroism, and courage--and also of incompetence, racism, and criminality. Don Brown's kinetic art and as-it-happens narrative capture both the tragedy and triumph of one of the worst natural disasters in American history. A portion of the proceeds from this book has been donated to Habitat for Humanity New Orleans.
The riveting story of how three years spent in the United States transformed Frida Kahlo into the artist we know today "[An] insightful debut....Featuring meticulous research and elegant turns of phrase, Stahr’s engrossing account provides scholarly though accessible analysis for both feminists and art lovers." —Publisher's Weekly Mexican artist Frida Kahlo adored adventure. In November, 1930, she was thrilled to realize her dream of traveling to the United States to live in San Francisco, Detroit, and New York. Still, leaving her family and her country for the first time was monumental. Only twenty-three and newly married to the already world-famous forty-three-year-old Diego Rivera, sh...
Written by the team at Bard College's Institute for Writing and Thinking, this book is designed to provide practical guidance regarding the challenges and potential of writing-based teaching, and suggestions for how to adapt the practices to particular classroom situations. The contributors share candid, first-hand accounts of what it is like to make writing central to teaching in secondary schools and colleges. As teachers of literature, composition, poetry, mathematics, anthropology, and education, they offer philosophical and theoretical reflections, practical guidance, and personal stories about how to help students become better, more-fluent writers, close readers, and reflective thinkers. This book will be of interest to writing center directors, for what it says about how to do collaborative learning and revision and seeing writing as a way to build community, and to writing teachers for how it demystifies freewriting, focused freewriting, and dialectical notebooks.
"This poet writes like a woman with a mission. Her collection resounds with an honesty that is at once brutal and determined. "You will not go hungry into a strange soil," she writes to her jaundiced infant....Bland browbeats her way through a sort of autobiography. The characters, primarily family--mother, father, stepfather, husband, children dead and alive....Held fast by neat lines and stanzas, these poems batter on concepts such as the connection between sex and death....Soft Box speaks for itself and does not speak softly. Bland writes like a woman possessed, and the result is bewitching..." --ForeWord Magazine
Poetry. "With vivid language that denies easily attained unambiguous and unlayered emotion, the pieces in (NEVERTHELESS ENJOYMENT examine and reexamine what satisfaction means through the lens of intimate experience. From `slumps in the middle where history is,' to `the drab-colored female being more of a challenge,' Elizabeth Bryant portrays details of the human condition in surprising and unsettling terms. Central to this work of serial prose poetry is the Lacanian psychoanalytic concept `jouissance,' which is oftentimes loosely translated as `enjoyment.' Bryant uses the word to convey not only pleasure, joy, achievement and satisfaction, but also fixation, difficulty, obstruction and conflict. This nuanced volume conveys the sense that a precise understanding of jouissance is elusive, and may be fully perceived only in hindsight. Showing the influence of writers such as Lyn Hejinian, Leslie Scalapino and Carla Harryman, Elizabeth Bryant's direct prose provides evidence of an ever-present life force that is at once ineffable and brutally powerful"--Gian Lombardo.