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Reimagining Black Art and Criminology
Martin Glynn explores the relevance black artistic contributions have for understanding crime and justice. Through art forms including black crime fiction, black theatre and black music, this book brings attention to marginalized perspectives within mainstream criminology.
Speaking Data and Telling Stories
Speaking Data and Telling Stories examines the interdependent relationship between method (Data Verbalization) and practice (performance). Data Verbalization is about communicating and disseminating research data using performance approaches and techniques such as; spoken word, jazz, hip-hop, and reggae theatrics. Martin Glynn calls for the development of performance-driven research dissemination that seeks to bring urgent attention to minority, excluded, and marginalized perspectives within research dissemination as a whole. Employing the data verbalization method creates an exciting new proposition that can give progressive researchers a unique and distinct voice, alongside generating significant reach and impact beyond the academy, conference, and peer reviewed journal. The book will be an invaluable resource for researchers, scholars, and related practitioners who want to strengthen their ability to communicate and disseminate research data using live performance / spoken word approaches and techniques. It will also provide guidance for students and researchers wanting to generate wider environmental, social, and cultural impact using research data creatively.
Invisible Voices
Invisible Voices explores the intersection of criminology and history as a way of contextualizing the historical black presence in crime and punishment in the UK. Through case studies, court transcripts, and biographical accounts it reimagines the understanding/s of the role of history in shaping contemporary perceptions. The book: Moves beyond the confines of presenting ‘criminological history’ as monocultural Demonstrates how ‘mainstream criminology’ is complicit in obscuring ‘hidden criminological histories' Critically assesses the implications regarding the positioning of ‘the black presence’ within the discipline of criminology Revises current thinking around excluded, mar...
LAPD '53
A remarkable portrait of “true L.A. noir” with archival photos from the Los Angeles Police Museum and text by legendary crime writer James Ellroy (Los Angeles Times). James Ellroy, the undisputed master of crime writing, has teamed up with the Los Angeles Police Museum to present a stunning text on 1953 L.A. While combing the museum’s photo archives, Ellroy discovered that the year featured a wide array of stark and unusual imagery—and to accompany the pictures, he has written text to illuminate the crimes and law enforcement of the era. Ellroy offers context along with wild detail and rich atmosphere—this is the cauldron that was police work in the city of the tarnished angels seven decades ago, revealed in more than 80 duotone photos throughout the book. “These crime images resemble the work of photographer Weegee, but, Ellroy argues, they’re superior because they resist artistry; they were taken by police officers doing their jobs.” —Chicago Tribune
Satan's Summer in the City of Angels
LA has known its share of notorious murderers. Hickman, Glatman, Bashor, Sirhan, Manson, Turner, Bianchi and Buono, just to name an ugly few. These remain stories told once and again. Tragic cases that commanded varying degrees of attention. None upset the urban routine like the Night Stalker. His crimes activated insecurities previously foreign to Angelenos. Brutal and unthinkable killings moved millions to a state of near lockdown. Law enforcement's simultaneous scramble aimed to calm the masses and catch a killer. The effect on the millions of innocents was patently unfair, but proved abundantly necessary. The social impact of the serial killings and serial crimes committed by Richard Ramirez is discussed by a number of contributors who bolted doors, locked windows and took up arms in the heat of just a single summer. It was 1985.It was Satan's Summer in the City of Angels.
Fabricate
Bringing together pioneers in design and making within architecture, construction, engineering, manufacturing, materials technology and computation, Fabricate is a triennial international conference, now in its third year (ICD, University of Stuttgart, April 2017). The 2017 edition features 32 illustrated articles on built projects and works in progress from academia and practice, including contributions from leading practices such as Foster + Partners, Zaha Hadid Architects, Arup, and Ron Arad, and from world-renowned institutions including ICD Stuttgart, Harvard, Yale, MIT, Princeton University, The Bartlett School of Architecture (UCL) and the Architectural Association.Each year it produces a supporting publication, to date the only one of its kind specialising in Digital Fabrication.
The Folly of War
The Folly of War is a hard-hitting, critical analysis of American wars in the 20th century that set a pattern for the early 21st century. Drawing on a wide rage of sources and rigorously marshaling the facts, the book concludes that these wars have been futile, unnecessary and foolish. Rejecting the Left's contention that American foreign policy has been driven by greedy corporate interests, the author starts from the premise that average Americans have supported these wars out of a will to do good" but have failed in that aim, and in the process done much harm. This is a disturbing book that raises questions about how we go to war, how we fight wars, and how we eventually lose wars. Many Am...
British Chimney Sweeps
The art and science of chimney sweeping are examined in detailed for the first time in this lively and fascinating book.
Princess at Heart
Return to the magical world of The Rosewood Chronicles in the fourth instalment of this gorgeous series for fans of The Princess Diaries and Harry Potter. 'You don't have to push me away. We can survive with each other and apart. I know that now . . . but let's face this together.' Ellie is a rebellious princess hiding her real identity. Lottie is her Portman, acting as the princess for the public to shield Ellie from scrutiny. Jamie is Ellie's Partizan, a lifelong bodyguard sworn to protect the princess at any cost. Lottie, Ellie and Jamie are back for another year at Rosewood - but nothing will ever be the same again. They're still reeling from their discovery that someone rather close to ...
