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The Bassoon
This welcome volume encompasses the entire history of the bassoon, from its origins five centuries ago to its place in twenty-first-century music. James Kopp draws on new archival research and many years' experience playing the instrument to provide an up-to-date and lively portrait of today's bassoon and its intriguing predecessors. He discusses the bassoon's makers, its players, its repertory, its myths, and its audiences, all in unprecedented detail. The bassoon was invented in Italy in response to the need for a bass-register double-reed woodwind suitable for processionals and marching. Composers were quick to exploit its agility and unique timbre. Later, during the reign of Louis XIV, t...
From the Clarinet D'Amour to the Contra Bass
Following his much-acclaimed The Baroque Clarinet and The Clarinet in the Classical Period, Albert R. Rice now turns his signature detailed attention to large clarinets - the clarinet d'amour, the basset horn, the alto clarinet, bass and contra bass clarinets. Each chapter is devoted to a specific instrument, and offers a fascinating insider's look at its defining characteristics, a comprehensive history of its evolution, meticulously-researched information on its makers and aspects of construction, and a thorough discussion of its music. Rice illustrates how the introduction of large clarinets into chamber ensembles, wind bands, and opera orchestras was the result of experiments meant to ad...
The Clarinet
The clarinet has a long and rich history as a solo, orchestral, and chamber musical instrument. In this broad-ranging account Eric Hoeprich, a performer, teacher, and expert on historical clarinets, explores its development, repertoire, and performance history. Looking at the antecedents of the clarinet, as well as such related instruments as the chalumeau, basset horn, alto clarinet, and bass clarinet, Hoeprich explains the use and development of the instrument in the Baroque age. The period from the late 1700s to Beethoven's early years is shown to have fostered ever wider distribution and use of the instrument, and a repertoire of increasing richness. The first half of the nineteenth century, a golden age for the clarinet, brought innovation in construction and great virtuosity in performance, while the following century and a half produced a surge in new works from many composers. The author also devotes a chapter to the role of the clarinet in bands, folk music, and jazz.
The Bassoon
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Yad Vashem Studies
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The Art of Bassoon Playing
Fine bassoon teachers are a rarity in all but cities with major symphony orchestras and/or a university with a distinguished music department faculty. William Spencer took up the challenge of providing material for the serious bassoonist with The Art of Bassoon Playing, published in 1958. With William Spencer's approval, Frederick Mueller took on the task of bringing to notice recent changes in bassoon playing, pedagogy, and manufacture, resulting in revised edition of The Art of Bassoon Playing.
Dynamics of Complex Intracontinental Basins
Sedimentary basins host, among others, most of our energy and fresh-water resources: they can be regarded as large geo-reactors in which many physical and chemical processes interact. Their complexity can only be well understood in well-organized interdisciplinary co-operations. This book documents how researchers from different geo-scientific disciplines have jointly analysed the structural, thermal, and sedimentary evolution as well as fluid dynamics of a complex sedimentary basin system which has experienced a variety of activation and reactivation impulses as well as intense salt tectonics. In this book we have summarized our geological, geophysical and geochemical understanding of some of the most important processes affecting sedimentary basins in general and our view on the evolution of one of the largest, best explored and most complex continental sedimentary basins on Earth: The Central European Basin System.
Das Bassetthorn
Dieses Buch berichtet über die geschichtliche Entwicklung des Bassetthorns von etwa 1760 bis hin zu den modernsten Boehm-, Oehler- und Schmidt-Kolbe-Instrumenten. Neben der Darstellung der technischen Entwicklung, Kapitel über Mundstücke, Bahnen, Blätter, Ligaturen, Halterungshilfen und die Intonation, stellt das Buch über 1760 historische und moderne Musikwerke mit Bassetthorn nebst ihren Fundorten vor, die über Europa, die USA, Israel und Australien vesrstreut sind. Über 80 Komponisten, Virtuosen und Ensembles werden kurzbiographisch vorgestellt. Neben der technischen Beschreibung von über 190 historischen Instrumenten vervollständigen mehr als 70 Abbildungen das Gesamtbild, welches das Buch vermitteln will.
