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Martine Syms: Shame Space
Diaries of an avatar: a Bible-style artist's book of writings by Martine Syms A new artist's book by California-based artist Martine Syms (born 1988), Shame Space explores the possibilities of narrative and identity, collecting journal writings by the artist from 2015 to 2017 in which she attempts to capture her shadow self, alongside image stills from the video project Ugly Plymouths. The text entries form the voiceover of Mythiccbeing (pronounced "my thick being'), a "black, upwardly mobile, violent, solipsistic, sociopathic, gender-neutral femme" digital avatar who has iterated across several of Syms' recent exhibitions. In Syms' installations, Mythiccbeing manifests variously in video, audio and as an interactive chatbot that responds to the viewer's communications with messages and animations. In Shame Space, the character's autofictional, diaristic commentary is gathered into 15 chapters. Its design updates the Bible format with its A5 size, embossed leather-textured cover and silver edge painting. The Ugly Plymouths still-image selection was coded using a programming script, such that the design, like the chatbot's SMS responses, is an exercise in machine automation.
Martine Syms
A source book documenting five episodes of Martine Syms's seminal fragmented television series, She Mad. Works by Martine Syms explore how mass media shapes and frames identities and cultures. Drawing from early cinema, television, the internet, social media, and ambient footage produced by phones and surveillance, Syms addresses the ways in which representations of black identity and gender appear in the public imagination. She Mad gathers materials and documentation on Martine Syms’s seminal episodic project of the same name. Each episode of this series takes a different format, using various narrative formats, from sitcoms to TikTok videos, and includes filmed footage as well as researc...
Strait
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Borrowed Lady
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Publishing as Practice
On the work of three contemporary artist's-book publishers who have developed fresh ways of broaching politics in publishing This book documents Publishing as Practice, a residency at Ulises--a curatorial platform based in Philadelphia--that explores publishing as an incubator for new forms of editorial, curatorial and artistic practice. Over the course of two years, three publishers activated Ulises as an exhibition space and public programming hub, engaging the public through workshops, discussions and projects. Residents included Hardworking Goodlooking, the publishing arm of Philippines-based, social-practice platform The Office of Culture and Design; Dominica, an imprint run by Martine Syms dedicated to exploring Blackness as a topic, reference, marker and audience in visual culture; and Bidoun, a non-profit organization focused on art and culture from the Middle East and its diasporas. The book features a preface by David Senior, an essay by Gee Wesley and Ulises Carrión's 1975 publishing manifesto "The New Art of Making Books," alongside documentation of the works produced.
Martine Syms: Neural Swamp
New commissioned work by an important American contemporary artist using a multidisciplinary approach to examine issues of race and identity Produced for the Future Fields Commission in Time-Based Media by the multidisciplinary artist Martine Syms (b. 1988), Neural Swamp is an immersive video installation that builds upon Syms's interest in the proliferation, circulation, and consumption of images, as well as her continued research into machine systems that erase or make invisible Black bodies, voices, and narratives. The publication documents this new work, offering in-depth analysis and a visual essay that reflects the specific approach to images and text characterizing Syms's practice. Neural Swamp's multichannel presentation reveals its characters through their reading of a continually changing script, the variations determined by a text-generating model. Through these dynamic interactions, along with the installation's physical elements, Syms creates a kaleidoscopic view of the world and our complex relationship with one another and with technology.
Martine Syms
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Martine Syms. Boon
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The Grey Album
*Finalist for the 2012 National Book Critics Circle Award for Criticism* *A Publishers Weekly Top 10 Literary Criticism and Essays Pick for Spring 2012* The Grey Album, the first work of prose by the brilliant poet Kevin Young, winner of the Graywolf Press Nonfiction Prize Taking its title from Danger Mouse's pioneering mashup of Jay-Z's The Black Album and the Beatles' The White Album, Kevin Young's encyclopedic book combines essay, cultural criticism, and lyrical choruses to illustrate the African American tradition of lying—storytelling, telling tales, fibbing, improvising, "jazzing." What emerges is a persuasive argument for the many ways that African American culture is American culture, and for the centrality of art—and artfulness—to our daily life. Moving from gospel to soul, funk to freestyle, Young sifts through the shadows, the bootleg, the remix, the grey areas of our history, literature, and music.
