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What happened after Mr. Darcy married Elizabeth Bennet in Pride and Prejudice? Where did Heathcliff go when he disappeared in Wuthering Heights? What social ostracism would Hester Prynne of The Scarlet Letter have faced in 20th century America? Great novels often leave behind great questions, and sequels seek to answer them. This critical analysis offers fresh insights into the sequels to seven literary classics, including Jane Austen's Sense and Sensibility, the Bronte sisters' Jane Eyre, Louisa May Alcott's Little Women, and Daphne du Maurier's Rebecca.
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Classic horror films such as Dracula, Frankenstein and The Picture of Dorian Gray are based on famous novels. Less well known--even to avid horror fans--are the many other memorable films based on literary works. Beginning in the silent era and continuing to the present, numerous horror films found their inspiration in novels, novellas, short stories and poems, though many of these written works are long forgotten. This book examines 43 works of literature--from the famous to the obscure--that provided the basis for 62 horror films. Both the written works and the films are analyzed critically, with an emphasis on the symbiosis between the two. Background on the authors and their writings is provided.
This collection of essays examines the full range of lesbian expression and representation in literature, theatre, radio, television, film and photography, reflecting the diversity of lesbian culture. The collection takes a broad-based approach, looking beyond traditional literary genres and focusing instead on those which relate more specifically to lesbians, such as crime writing, and the field of performing and visual arts. Original articles on television, art, theatre and newspaper journalism are presented. A combination of UK- and US-based writers, performers, producers, activists, theorists, journalists and critics have contributed to this contemporary analysis of lesbian culture. Contributors include Mary Wings, Rose Collis, Barbara Wilson and Veronica Groocock.
The seaside, like football and the railways, is a distinctly English and largely nineteenth century invention. At the Festival of Britain in 1951, a replica of a seafront represented hope and modernity - once the preserve of the sickly elite, the seaside had become one of the great English egalitarian institutions. But when the advent of cheap flights allowed us to go and see how the rest of the world did it - with better weather and sandier beaches - our boarding houses and bandstands slowly rotted away. As the economy forced a reassessment of our holidaying habits, resorts from Morecambe to Bournemouth enjoyed a renaissance. Capitalising on the uniquely English combination of irony and pri...
Nina Auerbach examines both the life of Daphne du Maurier as it is revealed in her writings and the sensibility of a vanished class and a time now gone that haunts the fringes of our own age.
From Jane Austen to John Steinbeck to Don Delilo to Danielle Steel, this book offers a detailed and comprehensive resource revealing fascinating facts about the authors you love, along with great introductions to authors you've yet to read.
Following the publication of The Past is Myself, Christabel Bielenberg's wartime memoirs, thousands of her readers wanted to know what happened next. This second volume begins in a Germany experiencing the after-effects of war and taking her 70th birthday as a stopping point, the author reviews an eventful life with characteristic modesty and humor.
From the gothic fantasies of Walpole’s Otranto to post-modern takes on the country house by Kazuo Ishiguro and Ian McEwan, Phyllis Richardson guides us on a tour through buildings real and imagined to examine how authors’ personal experiences helped to shape the homes that have become icons of English literature. We encounter Jane Austen drinking ‘too much wine’ in the lavish ballroom of a Hampshire manor, discover how Virginia Woolf’s love of Talland House at St Ives is palpable in To the Lighthouse, and find Evelyn Waugh remembering Madresfield Court as he plots Charles Ryder’s return to Brideshead. Drawing on historical sources, biographies, letters, diaries and the novels themselves, House of Fiction opens the doors to these celebrated houses, while offering candid glimpses of the writers who brought them to life.