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An energetic and irreverent essay on the forgotten art of the lecture, part of Transit's new Undelivered Lectures series.
Los Angeles Times Bestseller “Mary Cappello[’s] inventive, associative taxonomy of discomfort . . . [is] revelatory indeed.” —MARK DOTY, author of Dog Years: A Memoir and Fire to Fire: New and Selected Poems “A wonderful, multi-layered piece of writing, with all the insight of great cultural criticism and all the emotional pull of memoir. A fascinating book.” —SARAH WATERS, author of The Night Watch and The Little Stranger Without awkwardness we would not know grace, stability, or balance. Yet no one before Mary Cappello has turned such a penetrating gaze on this misunderstood condition. Fearlessly exploring the ambiguous borders of identity, she mines her own life journeys—f...
The Exciting or Opiatic Effect of Certain Words -- Arrangement for Voice and Interiors -- Sonorous Envelopes -- Acknowledgments -- Notes and Sources -- Playlist of Music or Sound Works (With Links to YouTube Recordings) -- Photo Credits and Content Descriptions -- Index
An American half-dollar. A beaded crucifix. Tooth roots shaped like a tiny pair of pants. A padlock. Scads of peanut kernels and scores of safety pins. A metallic letter Z. A toy goat and tin steering wheel. A Perfect Attendance Pin. One of the most popular attractions in Philadelphia's world-famous Mtter Museum is the Chevalier Jackson Foreign Body Collection; a beguiling set of drawers filled with thousands of items that had been swallowed or inhaled, then extracted nonsurgically by a pioneering laryngologist using rigid instruments of his own design. How do people's mouths, lungs, and stomachs end up filled with inedible things, and what do they become once arranged in Jackson's aura-lade...
Foreword Book of the Year Award Independent Publishers Award (IPPY) Lambda Literary Award Finalist Publishing Triangle Award Finalist GAMMA Award, Best Feature from The Magazine Association of the Southwest for “Getting the News,” The Georgia Review, Summer 2009 Notable Essay of the Year Citation in Best American Essays 2010 for “Getting the News” Named one of the Best Books of the Year by the Guerilla Girls On Tour and by WILLA: Women in Literary Arts and Letters An extended meditation on the nature of love and the nature of time inside illness, Called Back is both a narrative and non-narrative experiment in prose. The book moves through the standard breast cancer treatment trajecto...
Ever since the term "creative nonfiction" first came into widespread use, memoirists and journalists, essayists and fiction writers have faced off over where the border between fact and fiction lies. This debate over ethics, however, has sidelined important questions of literary form. Bending Genre does not ask where the boundaries between genres should be drawn, but what happens when you push the line. Written for writers and students of creative writing, this collection brings together perspectives from today’s leading writers of creative nonfiction, including Michael Martone, Brenda Miller, Ander Monson, and David Shields. Each writer’s innovative essay probes our notions of genre and investigates how creative nonfiction is shaped, modeling the forms of writing being discussed. Like creative nonfiction itself, Bending Genre is an exciting hybrid that breaks new ground.
An NPR Best Book of 2017 "[Teeth is] . . . more than an exploration of a two-tiered system—it is a call for sweeping, radical change." —New York Times Book Review "Show me your teeth," the great naturalist Georges Cuvier is credited with saying, "and I will tell you who you are." In this shattering new work, veteran health journalist Mary Otto looks inside America's mouth, revealing unsettling truths about our unequal society. Teeth takes readers on a disturbing journey into America's silent epidemic of oral disease, exposing the hidden connections between tooth decay and stunted job prospects, low educational achievement, social mobility, and the troubling state of our public health. Ot...
A historical overview of autobiography from the works of Augustine, Montaigne, and Rousseau to the Romantic, Victorian, and modern eras.
"Buffalo, New York - in the 1980s, this former boomtown had already left its illustrious past behind. The days of heavy production were over in America's rust belt, with no harbinger of what pursuits would fill this void. Amid this microcosm of national decline, a very special institution continued to flourish. The State University's famous English Department was past its own glory days of the '60s but remained a cauldron of intellectual life, incubating some of the freshest, strangest, most exciting ideas to emerge in that defining period of the U.S. academy. A suburban Michigan aesthete seeks the modernism that will distance him from his family's immersion in mass culture; a Pennsylvanian ...
In this work, prominent Italian American creative women discuss the ways their heritage has impacted their works. They discuss the ways that their childhood memories of immigrants and their practices have been a strong foundation for their creativity.