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Mary Greensted tells the story of the birth and development of the Arts and Craft movement in Britain with the help of numerous illustrations showing the buildings, furniture, metalwork, and the people who influenced it. The movement was concerned with the revival of traditional crafts, and a return to the vernacular, and it had socialist ideals at its heart. This movement, which flourished in the early twentieth century, has not only bequeathed us with a wealth of fine objects and buildings, but also a way of thinking about life and craft that continues to influence many today. Contains information on dozens of designers, artists, architects and thinkers, including: William Morris CFA Voysey Charles Rennie Mackintosh AH Mackmurdo CR Ashbee Ernest Gimson
This rich new volume brings to light the versatility and accomplishments of the English architect, designer, and maker Ernest Gimson, a central figure in the Arts and Crafts Movement.
A vibrant gathering of influential voices who have participated in the critical, political, and curatorial revival of William Morris's work.
Byzantium/Modernism features contributions by fourteen international scholars and brings together a diverse range of interdisciplinary essays on art, architecture, theatre, film, literature, and philosophy, which examine how and why Byzantine art and image theory can contribute to our understanding of modern and contemporary visual culture. Particular attention is given to intercultural dialogues between the former dominions of the Byzantine Empire, with a special focus on Greece, Turkey, and Russia, and the artistic production of Western Europe and America. Together, these essays invite the reader to think critically and theoretically about the dialogic interchange between Byzantium and modernism and to consider this cross-temporal encounter as an ongoing and historically deep narrative, rather than an ephemeral or localized trend. Contributors are Tulay Atak, Charles Barber, Elena Boeck, Anthony Cutler, Rico Franses, Dimitra Kotoula, Marie-José Mondzain, Myroslava M. Mudrak, Robert S. Nelson, Robert Ousterhout, Stratis Papaioannou, Glenn Peers, Jane A. Sharp and Devin Singh.
Using an interdisciplinary approach, this book brings together work in the fields of History, Literary Studies, Music and Architecture to examine the place of folklore and representations of ‘the people’ in the development of nations across Europe during the nineteenth century.
Island Stories looks at the multiplicity of myths that issue from the 4 nations that make up Great Britain. His perspective brings new meaning to the idea of history revealing how nations use their past to give meaning to their present and future.
Pevsner wrote that "Leicestershire is not a county of extremes" and agreed that "no other county in England surpasses Rutland for unspoiled quiet charm". The large and the small Midland counties possess a varied and rewarding range of buildings. Church architecture encompasses the classical Normanton, preserved in remote isolation from the flood of Rutland Water, to Market Harborough with its elegant medieval steeple, and a fine group of Victorian churches in Leicester. The major country houses include Belvoir Castle, Staunton Harold and Burley-on-the-Hill, while the more modest homes of the late nineteenth century include notable work by Ernest Gimson, Voysey and a garden city at Leicester by Parker & Unwin. Leicestershire also possesses fine modern buildings, from its architecturally progressive schools to the justly renowned buildings of Leicester University, dominated by Stirling & Gowan's Engineering Building.
This absorbing account of the life and work of Clara Collet, a leading economist, statistician and champion of women's employment, is the first biography of this remarkable woman and reveals through Collet's diaries her fascinating personal life. An early female university graduate (1880), then teacher, she campaigned for the secondary education provision of girls at a time when it was negligible. Her other major contribution was in raising the status of working-class women, becoming a Commissioner for the Royal Commission on Labour (1892). She was close to the family of Karl Marx, particularly with Eleanor Marx, and with Beatrice Webb. Her enduring friendship with the cult Victorian author George Gissing deeply influenced his writing. Her working relationships with Charles Booth, Lloyd George, Ramsay MacDonald and Winston Churchill are also celebrated
This book challenges prevalent understandings of elite artistic culture in fin-de-siècle Vienna by examining creative manifestations of utopian imaginings that ran counter and parallel to the cultural pessimism widely diagnosed in that society. It argues that the music and writings of Richard Wagner played a key role in inspiring such imagining, which either embraced and extended Wagner's own visions or countered them with visions that were wholly new.
“An extraordinary work of intellectual history as well as a scholarly tour de force, a bracing polemic, and a work of Christian prophecy...McCarraher challenges more than 200 years of post-Enlightenment assumptions about the way we live and work.” —The Observer At least since Max Weber, capitalism has been understood as part of the “disenchantment” of the world, stripping material objects and social relations of their mystery and magic. In this magisterial work, Eugene McCarraher challenges this conventional view. Capitalism, he argues, is full of sacrament, whether one is prepared to acknowledge it or not. First flowering in the fields and factories of England and brought to Ameri...