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The Beat and the Buzz: Inside the L.A. Art World
The Beat and the Buzz is the history of the Los Angeles art world since 1970, as told by thirty-three of its participants, in their own words. This art-world family album captures the intimate, lived experiences of artists, dealers, curators and critics whose personal history is becoming codified as art history. Whether you're in Los Angeles, or not, this book is also about the tensions of making it as an artist, or not. Clarifying but also complicating the many factors of success, the accounts here demonstrate that it's not only who you know but also when you know them, and how they're willing to support you at crucial junctures in your career. Finally, "The Beat and the Buzz" is also just ...
Journal of Northwest Anthropology
Cascade Projectile Point Technology - Terry L. Ozbun and John L. Fagan Displacement in Colombia: Identity Formations - Juan Esteban Zea An Estimate of Aboriginal Nez Perce Village Size and Other Population Patterns Based on Ethnohistoric and Ethnographic Data - Deward E. Walker, Jr., Frank C. Leonhardy, and Mary Jane Walker Jesus Visits Sweatlodge: Corpus Christi among the Interior Salish on the Colville Reservation of Washington State - Jay Miller Traditional Fishing Practices among the Northern Shoshone, Northern Paiute, and Bannock of the Duck Valley Indian Reservation: A Progress Report - Deward E. Walker, Jr. Nashat, Columbia River Prophet of the Waskliki/Feather Religion - Ann Fulton Abstracts of the 63rd Annual Meeting of the Northwest Anthropological Conference, Ellensburg, Washington 25–27 March 2010
Edward Kienholz
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The Ferus Gallery
In 1950s California, and especially in Los Angeles, there existed few venues for contemporary art. To a whole generation of California artists, this presented a freedom, since the absence of a context for their work meant that they could coin their own, and in uncommonly interesting ways. The careers of Ed Ruscha, Wallace Berman and Ed Kienholz all begin with this absence: Ruscha turned to books as a means of dissemination, Berman pioneered mail art through his magazine Semina and in March 1957, Ed Kienholz, in collaboration with curator Walter Hopps, co-founded one of California's greatest historical galleries, Ferus. Within months of opening, Ferus, which is Latin for "wild," gained notori...
American Opinion
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Galilee
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