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A story with two endings tells how a hard-working widow loses the son she cherishes.
A chronological study of Lavin's major themes and techniques illuminates significant changes in her art as well as her portrayal of the Irish middle class and the devastating effects of loneliness and death.
This absorbing family saga, first published in 1945, reveals the poignancies of an Irish Catholic upbringing, and is a testimony to Mary Lavin's considerable power as a storyteller. Theodore Coniffe, austere property owner in Castlerampart, looks forward to the birth of an heir when his third and youngest daughter, Lily, marries. A son is born, but the father, Cornelius Galloway, is a spendthrift who dies young, leaving the child to the care of Lily and her sisters, Theresa and Sara. Their love for Gabriel is limited by religious propriety and his youth is both protected and restrained. At the age of twenty-one Gabriel runs away to Dublin with Onny, a kitchen maid. Here they tumble into bohemian life. But Gabriel is ill-suited to this makeshift freedom and finds the values of Clewe Street impossible to evade.
Three children take a trip around the world to give their parents a rest from taking care of them.
A provocative imagining of the later years of the mother of Jesus finds her living a solitary existence in Ephesus years after her son's crucifixion and struggling with guilt, anger, and feelings that her son is not the son of God and that His sacrifice was not for a worthy cause.
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