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Stranger In My Heart
Stranger In My Heart is about the search for understanding oneself, answering the question “Who am I?” by seeking to understand the currents that sweep down the generations, eddy through one’s own persona and continue on – palpable but often unrecognised. My father fought at the Battle of Hong Kong in December 1941, was taken prisoner by the Japanese and then escaped in February 1942, making his way across 1200 miles of inhospitable country to reach China’s wartime capital at Chongqing. Seventy years later I retraced his steps in an effort to understand a man who had died when I was 18, leaving a lot of unanswered questions behind. My book is the quest that I undertook to explore m...
A Caring County?
This comparative study gathers together new research by local historians into aspects of welfare in Hertfordshire spanning four centuries and focusing on towns and villages across the county, including Ashwell, Cheshunt, Hertford, Pirton, and Royston, amongst many others. In so doing it makes a valuable contribution to the current debate about the spatial and chronological variation in the character of welfare regimes within single counties, let alone more widely. As well as viewing poor relief geographically and chronologically, the book also considers the treatment of particular groups such as the aged, the mad, children, and the unemployed, and shows how, within the constraints of the rel...
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Revisiting "The Waste Land"
divThis groundbreaking book of literary detective work alters our understanding of T. S. Eliot’s poetic masterpiece, The Waste Land. Lawrence Rainey not only resolves longstanding mysteries surrounding the composition of the poem but also overturns traditional interpretations of the poem that have prevailed for more than eighty years. He shines new light on Eliot’s greatest achievement and on the poem’s place in the modern canon. Far from the austere and sober monument to neoclassicism that admirers have praised, The Waste Land turns out to be something quite different: something grim and wild, unruly and intractable, violent and shocking and radically indeterminate, yet also deeply compassionate. Rainey looks at how Eliot went about writing the poem and at the sequence in which he composed the parts. Arriving at new insights into the poet’s intentions, Rainey unsettles tradition-bound views of the poem and shows us that The Waste Land is even stranger and more startling than we knew./DIV
