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If the modern Western novel is linked to the rise of a literate bourgeoisie with particular social values and narrative expectations, to what extent can that history of the novel be anticipated in non-Western contexts? In this bold, insightful work Mary Layoun investigates the development of literary practice in the Greek, Arabic, and Japanese cultures, which initially considered the novel a foreign genre, a cultural accoutrement of "Western" influence. Offering a textual and contextual analysis of six novels representing early twentieth-century and contemporary literary fiction in these cultures, Layoun illuminates the networks of power in which genre migration and its interpretations have ...
In Wedded to the Land? Mary N. Layoun offers a critical commentary on the idea of nationalism in general and on specific attempts to formulate alternatives to the concept in particular. Narratives surrounding three geographically and temporally different national crises form the center of her study: Greek refugees’ displacement from Asia Minor into Greece in 1922, the 1974 right-wing Cypriot coup and subsequent Turkish invasion of Cyprus, and the Palestinian and PLO expulsion from Beirut following the Israeli invasion in 1982. Drawing on readings of literature and of official documents and decrees, songs, poetry, cinema, public monuments, journalism, and conversations with exiles, refugees...
In hard-hitting accounts of Auschwitz, Bosnia, Palestine, and Hiroshima’s Ground Zero, comics have shown a stunning capacity to bear witness to trauma. Hillary Chute explores the ways graphic narratives by diverse artists, including Jacques Callot, Francisco Goya, Keiji Nakazawa, Art Spiegelman, and Joe Sacco, document the disasters of war.
Ernst Bloch (1885–1977) is now recognized as a philosopher and cultural critic of the greatest importance, his subtle and profound developments of utopian Marxism as influential for the student New Left of the 1960s and 1970s as they were for the leftist movements of the twenties. Today, in the United States and Britain, his enormous body of work is attracting a new generation of readers: more translations are appearing, and his utopian thought is finding a new resonance in many different contexts. Several of the authors here address the centrality of a radically unconventional concept of utopia to Bloch's thought; others write on the question of memory and pedagogical theory. There is a B...
An extended volume of New Literary History that considers the practice of comparison in literary studies and other disciplines within the humanities. Writing and teaching across cultures and disciplines makes the act of comparison inevitable. Comparative theory and methods of comparative literature and cultural anthropology have permeated the humanities as they engage more centrally with the cultural flows and circulation of past and present globalization. How do scholars make ethically and politically responsible comparisons without assuming that their own values and norms are the standard by which other cultures should be measured? Comparison expands upon a special issue of the journal New...
In Rethinking Global Security, Andrew Martin and Patrice Petro bring together ten path-breaking essays that explore the ways that our notions of fear, insecurity, and danger are fostered by intermediary sources such as television, radio, film, satellite imaging, and the Internet. The contributors, who represent a wide variety of disciplines, including communications, art history, media studies, women's studies, and literature, show how both fictional and fact-based threats to global security have helped to create and sustain a culture that is deeply distrustful-of images, stories, reports, and policy decisions. Topics range from the Patriot Act, to the censorship of media personalities such as Howard Stern, to the role that Buffy the Vampire Slayer and other television programming play as an interpretative frame for current events.
This book contextualizes 21st century representations of disappearance, torture, and detention within a historical framework of inter-American narratives. Examining a range of sources, Pitt finds a persistent focus on the body that links contemporary practices of political terror to concerns about corporality and sovereignty.
The essays in this collection discuss how comics and graphic narratives can be useful primary texts and learning tools in college and university classes across different disciplines. There are six sections: American Studies, Ethnic Studies, Women's and Gender Studies, Cultural Studies, Genre Studies, and Composition, Rhetoric and Communication. With a combination of practical and theoretical investigations, the book brings together discussions among teacher-scholars to advance the scholarship on teaching comics and graphic narratives--and provides scholars with useful references, critical approaches, and particular case studies.
Explores how a variety of print media—religious tracts, newsletters, cartoons, pamphlets, self-help books, mass-market paperbacks, and editions of the Bible from the King James Version to contemporary “Bible-zines”—have shaped and been shaped by experiences of faith since the Civil War