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Meaning a Life
The wife of the American poet George Oppen tells of their experiences traveling throughout America and of their associations with the Communist Party.
Speaking with George Oppen
Seventeen interviews with George and Mary Oppen, conducted between 1968 and 1987, are here brought together for the first time. Two are fresh discoveries, while re-audited recordings of other interviews have given a new authoritative accuracy to the text. These conversations provide a unique account of a major American poet's evolution, through the Depression, war, exile and a return to poetry after two decades of silence. They span Oppen's early years as an Objectivist, his assessments of such as Ezra Pound and William Carlos Williams, and his views on the merits of his later contemporaries Allen Ginsberg, Jerome Rothenburg and others. Above all, it is Oppen's detailed commentary on his own writing, and his explanations of how individual poems unfold, which gives special importance to these new collected interviews.
Selected Prose, Daybooks, and Papers
This is the first comprehensive critical edition of the unpublished writings of Pulitzer Prize-winning objectivist poet George Oppen (1908-1984). Editor Stephen Cope has made a judicious selection of Oppen's extant writings outside of poetry, including the essay "The Mind's Own Place" as well as "Twenty-Six Fragments," which were found on the wall of Oppen's study after his death. Most notable are Oppen's "Daybooks," composed in the decade following his return to poetry in 1958. Selected Prose, Daybooks, and Papers is an inspiring portrait of this essential writer and a testament to the creative process itself.
Discrete Series
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The Open Door
“If readers would like to sample the genius and diversity of American poetry in the last century, there’s no better place to start.” —World Literature Today When Harriet Monroe founded Poetry magazine in Chicago in 1912, she began with an image: the Open Door. For a century, the most important and enduring poets have walked through that door—William Carlos Williams and Wallace Stevens in its first years, Rae Armantrout and Kay Ryan in 2011. And at the same time, Poetry continues to discover the new voices who will be read a century from now. To celebrate the magazine’s centennial, the editors combed through Poetry’s incomparable archives to create a new kind of anthology. With ...
George Oppen
A selection of innovative poems by the groundbreaking Pulitzer Prize winner.
21 Poems
Here put your head, that desires nothing except familiarly: There your feet, bending your knees so that, bare (I remember from childhood), they would smell salt-sweet. --from 21 Poems
Of Being Numerous
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New Collected Poems
"George Oppen's New Collected Poems gathers in one volume all of the poet's books published in his lifetime (1908-84), as well as his previously uncollected poems and a selection of his unpublished work." "Editor Michael Davidson has written an introduction to the poet's life and work and supplies generous notes that give readers a deeper understanding of the background of the individual books and references in the poems. Essayist Eliot Weinberger provides a personal remembrance of the poet in his preface, "Oppen Then." This new, revised paperback edition also includes an extraordinary CD of the poet reading from each of his poetry books. Culled from obscure, rarely heard recordings of Oppen when he was in New York, San Francisco, and London at different times in his life, the CD adds a unique dimension to the lifework of one of America's finest poets."--BOOK JACKET.
Madness, Rack, and Honey
This is one of the wisest books I've read in years... —New York Times Book Review No writer I know of comes close to even trying to articulate the weird magic of poetry as Ruefle does. She acknowledges and celebrates in the odd mystery and mysticism of the act—the fact that poetry must both guard and reveal, hint at and pull back... Also, and maybe most crucially, Ruefle’s work is never once stuffy or overdone: she writes this stuff with a level of seriousness-as-play that’s vital and welcome, that doesn’t make writing poetry sound anything but wild, strange, life-enlargening fun. -The Kenyon Review Profound, unpredictable, charming, and outright funny...These informal talks have f...
