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The Masks of Anthony and Cleopatra
A sensitive and penetrating analysis, scene by scene, act by act, of this most complex and ambiguous of Shakespeare's great plays, seen through the eyes of both the literary critic and the student of theatrical history. The book also conveys the author's wholehearted enthusiasm for the play and his profound appreciation of Shakespeare's poetic and dramatic genius.
The Sociogony
The Sociogony re-examines the social ontology of what Durkheim calls ‘social facts’ in the light of critical and progressive hostilities to the facticity of facts and the necessity of moral absolutes in the shift from bourgeois liberalism to a neoliberal global order. The introduction offers a wide-ranging rumination on the concept of the absolute after its apparent downfall; the chapter on facts turns the problem of external authority on its head and the chapter dealing with the sociogony situates facts in a process of generation, rule, and decay. Drawing heavily on the works of Hegel, Marx, Weber, and Durkheim, the resulting synthesis is what the author refers to as a Marxheimian Social Theory that offers a new map and a stable ontology for the homeless mind.
