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A history of the pottery industry in Alberta, which began around the turn of the century in Medicine Hat, where clay deposits and natural gas were abundant. This is a dramatic story of temperamental entrepreneurs who were fierce rivals and who had fires, world wars, a depression, high freight rates and cheap imports to contend with.
"The history of women in Canada is one of starting out struggling to feed and clothe their families and ending up writing the great Canadian novel. Inspiring Women charts women's course from subsistence to cultural production.
This study focuses on the economic and social impact of the pottery industry, both locally and nationally. Drawing on the rich primary sources of company records and catalogues, existing factory buildings and equipment, photographs and newspaper accounts, this book tells a fascinating story enriched by the memories of the people who worked in the plants.
The history of Branching Out, Canada’s first national second-wave feminist magazine, is the story of an upstart publication from the prairies that was read from coast to coast. It is also a story of political activism and community building. When it ceased publication in 1980, Branching Out had reached more readers than any similar periodical. Feminist Acts is an in-depth examination of feminist publishing, written to bring more Canadian voices into conversations about women’s cultural production. A vital text of recuperation, the book draws on first-hand accounts from women who were there. It is a must-read for anyone interested in feminist activism, gender studies, Canadian cultural history, or publishing history.
Includes entries for maps and atlases.
Identifies and summarizes thousands of books, article, exhibition catalogues, government publications, and theses published in many countries and in several languages from the early nineteenth century to 1981.
This book presents the first overview of craft activity, as an integral part of Canadian culture between 1900 and 1950, and reviews the tone and focus of contemporaneous writing about craft. It explores the diversity of all aspects of craft, including makers, production, organization, education, and government involvement.
The traditional mythology of the West is dominated by male images: the fur trader, the Mountie, the missionary, the miner, the cowboy, the politician, the Chief. Unsettled Pasts: Reconceiving the West claims to re-examine the West through women's eyes. It draws together contributions from researchers, scholars, and academic and community activists, and seeks to create dialogue across geographic, cultural, and disciplinary boundaries. Ranging from scholarly essays to poetry, these pieces offer the reader a sample of some of today's most innovative approaches to western Canadian women's history; several of the themes that run throughout the volume have only recently been critically addressed. ...