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Arguing for the necessity of taking art's contribution to contemporary realism seriously, this edited collection intervenes on contemporary debates about realism by demonstrating that the arts do not simply illustrate philosophical theories. The significance of art's realism in times characterised by the normalisation of fake, manipulated and distorted representations of reality can only be fully understood by attending to the ways that the arts mediate, visualise and even shape reality. Each chapter features a different approach to realism and its aesthetic dimensions not only in the visual arts, but also in sound art, film, scientific imaging and literature.
A comprehensive and fascinating illustrated look at women’s professional wrestling, including 100 profiles of superstars from around the world. Women’s pro wrestling has existed in the USA since the 1930s, and this colorful encyclopedia references the fashion, fun, and drama of the sport through the years and around the world. Focusing on 100 competitors—from current faves Sasha Banks and Charlotte Flair, to Germany's Jazzy Gabert, Japan’s Io Shirai, and Canada's LuFisto, to legends like The Fabulous Moolah, Sable, Ivory, and Lita—it includes relevant stats and each one’s compelling story. Written by noted authority LaToya Ferguson, this engaging history is great for anyone interested in powerful women, fantastic costumes, and pro wrestling itself.
The imaginary as a critical concept originated in the twentieth century and has been theorized in diverse ways. It can be understood as a register of thought; the way we interpret the world; the universe of images, signs, texts, and objects of thought. In this volume, it is explored as it manifests itself in encounters between the verbal and the visual. A number of the essays brought together here explore the transposition of the imaginary in illustrations of texts and verbal renditions of images, as well as in comic books based on paintings or on verbal narratives. Others analyze ways in which books deal with film or television and investigate the imaginary in digital media. Special attention is paid to the imaginary of places and the relationship of the imaginary with memory. Written in English and French, these contributions by European and American scholars demonstrate the various concerns and approaches characteristic of contemporary scholarship in word and image studies.
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A fascinating history of one of the hottest wrestling territories of all time Montreal was the proving ground for some of the biggest names in wrestling, including Andre the Giant, Abdullah the Butcher, and the infamous Mad Dog Vachon; it was the site of the first midget battle ever; and made famous worldwide for the infamous Survivor Series screw job that saw Vince McMahon, the Heartbreak Kid Shawn Michaels, and Bret Hart create the "attitude" that reshaped the business. Mad Dogs, Midgets and Screw Jobs is the ultimate guide to Montreal's legendary place in professional wrestling history. Get the lowdown on all the major wrestlers who made their name in the territory, from Yvon Robert, the Rougeaus, and Gino Brito to edouard Carpentier. With a detailed account of the promotional war between the Rougeaus' AllStar Wrestling and the Vachons' Grand Prix, a complete history of how wrestling developed on Montreal TV, and an investigation of the murder of Dino Bravo, this book demonstrates how much of what has happened in wrestling, just may have happened first in Montreal.
Wrestling as a legitimate contest is one of the oldest, if not the oldest form of sport. There are cave drawings depicting memorable matches in France, which are over 15,000 years old. Egyptian and Babylonian reliefs depict wrestling bouts where wrestlers are using most of the holds known to the modern-day sport. Wrestling was also a big part of ancient Greek literature and legend and historical records of sport indicate that wrestling under various sets of rules was contested at the Ancient Olympic Games in Greece. Today’s modern wrestling is a form of "sports entertainment" in which highly skilled athletes enact wrestling matches in such a way so that their opponents do not get hurt and ...
This book uncovers how we make meaning of abstraction, both historically and in present times, and examines abstract images as a visual language. The contributors demonstrate that abstraction is not primarily an artistic phenomenon, but rather arises from human beings’ desire to imagine, understand and communicate complex, ineffable concepts in fields ranging from fine art and philosophy to technologies of data visualization, from cartography and medicine to astronomy. The book will be of interest to scholars working in image studies, visual studies, art history, philosophy and aesthetics.