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On Site
This publication commemorates the 50th anniversary of the public art collection of the University of Houston System, including works by esteemed artists such as Frank Stella, Carlos Cruz-Diez, Alyson Shotz and Andy Warhol. An essay by Alison de Lima Greene delves into the history of the collection and an essay by PAUHS director and chief curator María C. Gaztambide looks towards its future. In addition, the publication highlights about 40 of the collection?s most notable works, illustrated with all new colour photography and accompanied by entries written by artists, scholars, curators and other members of the university community. The book gives broader audiences access to the nearly 300 artworks on view to the public every day at the University of Houston System.
El Techo de la Ballena
The work of the 1960s Caracas-based art collective El Techo de la Ballena (The Roof of the Whale) was called “subversive” and “art terrorism” and seen as a threat to Venezuela’s national image as an emerging industrial power. This volume details the historical and social contexts that shaped the collective, exploring how its anti-art aesthetic highlighted the shortcomings of the country’s newfound oil wealth and transition to democracy. Every element used by these radicalized artists in their avant-garde exhibitions—from Informalist canvases to torn book pages and kitsch objects to cattle carcasses and scatological content—issued a critique of Venezuela’s petroleum-driven c...
Resisting Categories: Latin American And/or Latino?
"This anthology of more than 165 seminal writings by influential twentieth- and twenty-first century artists and critics who explore and challenge complex definitions of what it means to be 'Latin American' or 'Latino' is designed to be an indispensable tool for the study of Latin American and Latino art"--
Lygia Pape
Lygia Pape (1927–2004) was one of the most acclaimed and influential Brazilian artists of the twentieth century. As a prominent member of a generation of artists, architects, and designers who embraced the optimistic and constructive spirit of postwar Brazil, she is particularly known for her participation in the experimental art movement Neoconcretism, which sought to rework the legacy of European avant-garde abstraction to suit a new cultural context. Beyond the specific aims of Neoconcretism, however, Pape engaged with a wide range of media painting, drawing, poetry, graphic design and photography, film and performance—constantly experimenting in a quest to confront the canonical and ...
In Our Hands
A groundbreaking exhibition catalogue of Native, First Nations, Metis, and Inuit photography from the nineteenth century to the present day Photographs of and by Native people have long been exhibited in museums. All too often, however, such exhibitions have misrepresented vital cultural and historical contexts, neglecting the depth of practice, supporting scholarship, and Native perspectives relevant to the work. By developing a broadly representative curatorial council of prominent academics and artists, more than half of whom represent Native communities in the United States and Canada, this book significantly expands the traditional discourses of photographic history. With incisive contr...
Contesting Modernity
This fascinating exploration of Venezuelan Informalism charts the movement's history from its beginnings in the mid-1950s to its last manifestations in the 1970s. Essays by an esteemed group of scholars discuss the variety, richness, and complexity of Informalism and examine the ways in which Venezuelan artists embraced many of the abstract, gestural tendencies contemporaneously developed in Abstract Expressionism, Tachism, and Art Informel. Providing a thorough and comprehensive overview of this artistically fertile, yet underappreciated, movement, this volume highlights the diverse approaches and the wide range of media employed by Informalism's key practitioners, including Elsa Gramcko, Alberto Brandt, Francisco Hung, Daniel González, and the collective El Techo de la Ballena. Also featured are stunning works by internationally acclaimed figures who experimented with Informalism, such as Alejandro Otero, Carlos Cruz-Diez, and Jesús Rafael Soto. Distributed for the Museum of Fine Arts, Houston Exhibition Schedule: Museum of Fine Arts, Houston (10/28/18-01/21/19)
Anthropology and Art Practice
Anthropology and Art Practice takes an innovative look at new experimental work informed by the newly-reconfigured relationship between the arts and anthropology. This practice-based and visual work can be characterised as 'art-ethnography'. In engaging with the concerns of both fields, this cutting-edge study tackles current issues such as the role of the artist in collaborative work, and the political uses of documentary. The book focuses on key works from artists and anthropologists that engage with 'art-ethnography' and investigates the processes and strategies behind their creation and exhibition.The book highlights the work of a new generation of practitioners in this hybrid field, such as Anthony Luvera, Kathryn Ramey, Brad Butler and Karen Mirza, Kate Hennessy and Jennifer Deger, who work in a diverse range of media - including film, photography, sound and performance. Anthropology and Art Practice suggests a series of radical challenges to assumptions made on both sides of the art/anthropology divide and is intended to inspire further dialogue and provide essential reading for a wide range of students and practitioners.
Forming Abstraction
Art produced outside hegemonic centers is often seen as a form of derivation or relegated to a provisional status. Forming Abstraction turns this narrative on its head. In the first book-length study of postwar Brazilian art and culture, Adele Nelson highlights the importance of exhibitionary and pedagogical institutions in the development of abstract art in Brazil. By focusing on the formation of the São Paulo Biennial in 1951; the early activities of artists Geraldo de Barros, Lygia Clark, Waldemar Cordeiro, Hélio Oiticica, Lygia Pape, and Ivan Serpa; and the ideas of critics like Mário Pedrosa, Nelson illuminates the complex, strategic processes of citation and adaption of both local and international forms. The book ultimately demonstrates that Brazilian art institutions and abstract artistic groups—and their exhibitions of abstract art in particular—served as crucial loci for the articulation of societal identities in a newly democratic nation at the onset of the Cold War.
Surveying the Avant-Garde
Surveying the Avant-Garde examines the art and literature of the Americas in the early twentieth century through the lens of the questionnaire, a genre as central as the manifesto to the history of the avant-garde. Questions such as “How do you imagine Latin America?” and “What should American art be?” issued by avant-garde magazines like Imán, a Latin American periodical based in Paris, and Cuba’s Revista de Avance demonstrate how editors, writers, and readers all grappled with the concept of “America,” particularly in relationship to Europe, and how the questionnaire became a structuring device for reflecting on their national and aesthetic identities in print. Through an an...
Building on a Construct
"Focusing on the acclaimed Adolpho Leirner Collection of Brazilian Constructive Art, this book assesses the state of research on the avant-garde artists and groups that constituted Brazilian Modernism"--Provided by publisher.
