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Diccionario de Minería Inglés-español (2a. Ed.)
  • Language: es

Diccionario de Minería Inglés-español (2a. Ed.)

  • Type: Book
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  • Published: 2015
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  • Publisher: Unknown

None

Diccionario de Minería
  • Language: es

Diccionario de Minería

Este libro es parte de la colección e-Libro en BiblioBoard.

Diccionario de minería: inglés-español
  • Language: es
  • Pages: 238

Diccionario de minería: inglés-español

None

My Name Is Maria Isabel
  • Language: en

My Name Is Maria Isabel

  • Type: Book
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  • Published: 1993
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  • Publisher: Unknown

None

Minería chilena
  • Language: es
  • Pages: 722

Minería chilena

  • Type: Book
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  • Published: 2000
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  • Publisher: Unknown

None

Crewel Intentions
  • Language: en

Crewel Intentions

  • Type: Book
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  • Published: 2014
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  • Publisher: Unknown

Keeping to a theme started in Crewel Twists, this book continues the concept of using non-traditional techniques and materials in crewel or Jacobean embroidery. It showcases four large projects, each with an accompanying small project similar in technique, and shows needle workers how to be creative with threads, alternative stitches and beads. Traditional techniques are explained but are extended with the use of bead embroidery, needle lace techniques, and stitches not normally used in crewel work. Many new needle lace and bead embroidery techniques are incorporated, and the book also explores weaving techniques used to create textures like twill and lace weaves, as well as patterns similar to tartan and houndstooth check. Every project is clearly explained with step-by-step instructions and lots of photographs, and the completed embroideries are once again displayed in ways that are both decorative and functional in the home. Templates of the original designs complete this magnificent source for creative embroidery.

Lorenzo Ghiberti's Gates of Paradise
  • Language: en
  • Pages: 1088

Lorenzo Ghiberti's Gates of Paradise

This book examines the heretofore unsuspected complexity of Lorenzo Ghiberti's sculpted representations of Old Testament narratives in his Gates of Paradise (1425–52), the second set of doors he made for the Florence Baptistery and a masterpiece of Italian Renaissance sculpture. One of the most intellectually engaged and well-read artists of his age, Ghiberti found inspiration in ancient and medieval texts, many of which he and his contacts in Florence's humanist community shared, read, and discussed. He was fascinated by the science of vision, by the functioning of nature, and, above all, by the origins and history of art. These unusually well-defined intellectual interests, reflected in his famous Commentaries, shaped his approach in the Gates. Through the selection, imaginative interpretation, and arrangement of biblical episodes, Ghiberti fashioned multi-textured narratives that explore the human condition and express his ideas on a range of social, political, artistic, and philosophical issues.

Using Surveys to Value Public Goods
  • Language: en
  • Pages: 496

Using Surveys to Value Public Goods

Provides decision makers, policy analysts, and social scientists, with a detailed discussion of a new techniques for the valuation of goods not traded in prevate markets.

Microfinance in Nicaragua
  • Language: en
  • Pages: 128

Microfinance in Nicaragua

  • Type: Book
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  • Published: 2004
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  • Publisher: Unknown

None

Historia de la Propiedad Comunal
  • Language: en
  • Pages: 380

Historia de la Propiedad Comunal

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.