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Cognitive Paths into the Slavic Domain
The volume presents an overview of recent cognitive linguistic research on Slavic languages. Slavic languages, with their rich inflectional morphology in both the nominal and the verbal system, provide an important testing ground for a linguistic theory that seeks to motivate linguistic structure. Therefore, the volume touches upon a wide range of phenomena: it addresses issues related to the semantics of grammatical case, tense, aspect, voice and word order, it looks into grammaticalization and language change and discusses sound symbolism. At the same time, the analyses presented address a variety of theoretically important issues. Take for example the role of virtual entities in language ...
The Voice of the People
'The Voice of the People' presents a series of essays on literary aspects of the pan-European folk revival from the late eighteenth century to the beginning of the twentieth. The essays discuss the purposes of the folk revival, as well as its various forms and genres. Several prominent European literary figures are studied, but most of the focus is placed on the anonymous authors of the European folk tradition.
The Czech Manuscripts
The Czech Manuscripts is dedicated to one of the most important literary forgeries on the model of Macpherson's Ossianic poetry. The Queen's Court and Green Mountain Manuscripts, discovered in 1817 and 1818, went on to play an outsized role in the Czech National Revival, functioning as founding texts of the national mythology and serving as sacred works in the long period when they were considered genuine. A successful literary forgery tells a lot about what a culture wants and needs at a particular moment. One fascinating aspect of this story is how a successful fake was able to function in an integral way as part of the Czech cultural revival of the nineteenth century, both because it play...
Writers Under Siege
An history that presents a canvas of post-war Czech literary developments within the cultural and political context of the times. It provides information about the many English-language translations from Czech literature, and the circumstances in which these translations came about.
The Nonconformists
How risky encounters between American and Czech writers behind the Iron Curtain shaped the art and politics of the Cold War and helped define an era of dissent. “In some indescribable way, we are each other’s continuation,” Arthur Miller wrote of the imprisoned Czech playwright Václav Havel. After a Soviet-led invasion ended the Prague Spring, many US-based writers experienced a similar shock of solidarity. Brian Goodman examines the surprising and consequential connections between American and Czech literary cultures during the Cold War—connections that influenced art and politics on both sides of the Iron Curtain. American writers had long been attracted to Prague, a city they ass...
Modernism and Opera
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Janáček Beyond the Borders
This contextual study of Janácek's operas reveals the composer's creative responses to a wide range of Czech and non-Czech traditions.
Janácek’S Eternal Love
In the last decade of his life, starting when he was a sixty-two-year old curmudgeon in a backwater Slavic country, Czech composer Leo Jancek produced operas and chamber music that would stun the music world, one masterpiece on top of another. In Janceks Eternal Love, author George M. Cummins III presents a biography focusing on the life of Jancek (1854-1928) based on original Czech sources, with special attention to detailed analysis of the last four operas and biographical focus on the composers relationship with his muse, Kamila Stsslov. In 1916, Jancek was known only as a local ethnographer specializing in folk music, but he acquired international fame with the operas and chamber pieces he composed after the age of sixty-two until his death at seventy-four. Cumminswith both a personal and scholarly knowledge of Czech language, history, and culturenarrates a personal biography that includes detailed, insightful descriptions of Janceks compositions.
Sudden Death in Opera
An aspect of dying in opera, rarely observed or commented on, is Sudden Unexpected Death. There are many deaths in this melodramatic genre: most follow expected causes like murder, suicide, or old age. This book explores those deaths which occur without obvious natural causes. These are often central to the overall drama of the opera, representing denouements forming the epiphany of the story and the apotheosis for the audience. The book identifies 50 operas where such events occur, exploring the role of the dramatis personae, the circumstances of their dying, and specific themes that emerge. These include a preponderance of females, especially in the 19th century, who die mainly at the end ...
