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In Italy, an elderly mother awaits a reunion with the son stolen from her by the Nazis—“A darkly hypnotic kaleidoscope of a book” (The Jewish Daily Forward). Haya Tedeschi sits alone in Gorizia, in northeastern Italy, surrounded by a basket of photographs and newspaper clippings. Now an old woman, she waits to be reunited after sixty-two years with her son, fathered by an SS officer and stolen from her by the German authorities as part of Himmler’s clandestine Lebensborn project. Tedeschi reflects on her Catholicized Jewish family’s experiences, in a narrative that deals unsparingly with the massacre of Italian Jews in the concentration camps of Trieste. Her obsessive search for her son leads her to photographs, maps, and fragments of verse, to testimonies from the Nuremberg trials and interviews with second-generation Jews, and to eyewitness accounts of atrocities that took place on her doorstep. From this broad collage of material and memory arises the staggering chronicle of Nazi occupation in northern Italy that “explores the 20th century’s darkest chapter in an original way . . . an exceptional reading experience” (Minneapolis Star-Tribune).
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Long neglected by scholars, medieval and Renaissance Bologna is now recognized as a center of economic, political-constitutional, legal, and intellectual innovation, as the city that served as the cultural crossroads of Italy. The city’s distinctive achievements and its transition from medieval commune to second largest city of the Renaissance Papal State is illuminated by essays that present the work of current historians, many made available in English for the first time, from the broadest possible perspective: from the material city with its porticoes, the conflicts that brought bloodshed and turmoil to its streets, the disputations of masters and students, and to the masterpieces of artists who laid the foundations for Baroque art. See inside the book.
After the Three Italies develops a new political economy approach to the analysis of comparative regional development and the territorial division of labour and exemplifies it through an up-to-date account of Italian industrial change and regional economic performance. Responds to recent theoretical debates in economic geography, involving economists, geographers and planners. Builds the foundations for a new theoretical approach to regional economic development and the territorial division of labour. Draws on the results of a recent ESRC funded research project, as well as on a large range of official data sets. Provides an up-to-date picture of Italy's economic performance and of its recent development relative to other European countries and the rest of the world. Analyses Italy's internal differentiation and its persistent regional inequalities. Examines the regional impact of the recent evolution of the car, chemicals, steel and clothing industries. Leads to a new and more complex picture of Italian development.
A vengeful renegade is targeting rogue mercenaries against the city of Florence. Can a young lawyer foil the sinister scheme? Renaissance Italy, 1465. The first hint of trouble comes from Nico Argenti's sister, who tells him that boys are going missing from the orphanage. She prevails upon Nico to look into the matter, but before the young lawyer can do so, he is dispatched to Bologna on an official mission to investigate rogue mercenaries in a neighboring province near the Florentine border. While in Bologna, Nico unearths a connection between the missing boys, the mercenaries, and a renegade with a vendetta against the rulers of Florence. His challenge is to stop the rogues before they wreak havoc on his beloved city. As a lawyer, Nico attempts to thwart the mercenaries and their sponsor through legal means. Will his approach work or must he draw on other skills? Conspiracy in Bologna is the fourth book in the best-selling Nico Argenti historical mystery series. It may be read standalone. Buy Conspiracy in Bologna today and take a stand against lawless rogues!
A Companion to the Early Modern Cardinal is the first comprehensive overview of its subject in English or any language. Cardinals are best known as the pope’s electors, but in the centuries from 1400 to 1800 they were so much more: pastors, inquisitors, diplomats, bureaucrats, statesmen, saints; entrepreneurs and investors; patrons of the arts, of music, literature, and science. Thirty-five essays explain their social background, positions and roles in Rome and beyond, and what they meant for wider society. This volume shows the impact which those men who took up the purple had in their respective fields and how their tenure of office shaped the entangled histories of Rome and the Catholic Church from a European and global perspective.
Renaissance debates about politics and gender led to pioneering forms of poor relief, devised to help women get a start in life. These included orphanages for illegitimate children and forced labor in workhouses, but also women’s shelters and early forms of maternity benefits, unemployment insurance, food stamps, and credit union savings plans.
Insegna Studi Mediterranei all?Istituto Universitario Europeo di Fiesole; è stato fellow di Villa I Tatti (The Harvard University Center for Italian Renaissance Studies a Firenze) e Visiting Professor all?Università degli Studi di Firenze e all?Università di Atene. Ha pubblicato Florentine Public Finances in the Early Renaissance e Marriage Alliance in Late Medieval Florence (ambedue presso la Harvard University Press). Con Franek Sznura ha curato l?edizione di Alle Bocche della Piazza. Diario di anonimo fiorentino (1382-1401 (Olschki, 1986). Per le Edizioni di Storia e Letteratura ha pubblicato Firenze nel Quattrocento. Vol. I, Politica e fiscalità (2006).
The Italian Gothic horror genre underwent many changes in the 1980s, with masters such as Mario Bava and Riccardo Freda dying or retiring and young filmmakers such as Lamberto Bava (Macabro, Demons) and Michele Soavi (The Church) surfacing. Horror films proved commercially successful in the first half of the decade thanks to Dario Argento (both as director and producer) and Lucio Fulci, but the rise of made-for-TV products has resulted in the gradual disappearance of genre products from the big screen. This book examines all the Italian Gothic films of the 1980s. It includes previously unpublished trivia and production data taken from official archive papers, original scripts and interviews with filmmakers, actors and scriptwriters. The entries include a complete cast and crew list, plot summary, production history and analysis. Two appendices list direct-to-video releases and made-for-TV films.
P>Fodor's Exploring Guides are the most up-to-date, full-color guidebooks available. Covering destinations around the world, these guides are loaded with photos, essays on culture and history, descriptions of sights, and practical information. Full-color photos make this a great guide to buy if you're still planning your itinerary (let the photos help you choose!) and it's a perfect companion to a general guidebook, like a Fodor's Gold Guide. All the great sights plus the history and anecdotes that bring them to life - Extraordinary coverage of history and culture - Itineraries, walks and excursions, on and off the beaten path - Architecture and art Practical tips and full-color maps and pho...