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Matanzas - the name means literally 'slaughters' - is the Cuban city nearest the United States. Known at the heyday of the nineteenth-century sugar boom as the 'Athens of Cuba', it is renowned for its art, its music, and its rich African heritage. It is also the place where Latin American baseball began. Yet most Americans have never heard of it. Miguel Bretos' fascinating history of his hometown remedies this oversight.
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Initially branching out of the European contradance tradition the danzón first emerged as a distinct form of music and dance among black performers in 19th-century Cuba. By the early 20th-century, it had exploded in popularity throughout the Gulf of Mexico and Caribbean basin. This book studies the emergence hemisphere-wide influence, and historical and contemporary significance of this phenomenon of music and dance.