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"The authors look at the state's earliest Irish residents and communities and describe the critical roles played by Irish immigrants in the settlement and founding of the Prairie State"--
This book analyzes violence involving Catholics in the nineteenth-century world – revealing the motives for violence, showing the link between religious and secular grievances, and illuminating Catholic pluralism. Catholics and Violence in the Nineteenth-Century Global World is the first study to systematically analyze the link between faith and violent action in modern history. Focusing on incidents involving members of the Roman Catholic Church across the globe, the book offers a kaleidoscopic overview of situations in which physical or symbolic violence attended inner-Catholic, Catholic-secular, and interreligious conflicts. Focusing especially on the role of agency, the authors explore...
During the first quarter of the twentieth century, the intersection of support for Irish freedom and the principles of Catholic social justice transformed Irish ethnicity in Boston. Prior to World War I, Boston’s middle-class Irish nationalist leaders sought a rapprochement with local Yankees. However, the combined impact of the Easter 1916 Rising and the postwar campaign to free Ireland from British rule drove a wedge between leaders of the city’s two main groups. Irish-American nationalists, emboldened by the visits of Irish leader Eamon de Valera, rejected both Yankees’ support of a postwar Anglo-American alliance and the latter groups’ portrayal of Irish nationalism as a form of ...
Meticulously researched and engagingly written, this is the first biography of the important Irish playwright Stewart Parker. It illuminates the genesis and meaning of such classic plays as Spokesong and Pentecost - works that continue to shed light on Northern Ireland's past, present, and future - in the context of Parker's life and times.
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Walk into any European museum today and you will see the curated spoils of Empire. They sit behind plate glass: dignified, tastefully lit. Accompanying pieces of card offer a name, date and place of origin. They do not mention that the objects are all stolen. Few artefacts embody this history of rapacious and extractive colonialism better than the Benin Bronzes - a collection of thousands of metal plaques and sculptures depicting the history of the Royal Court of the Obas of Benin City, Nigeria. Pillaged during a British naval attack in 1897, the loot was passed on to Queen Victoria, the British Museum and countless private collections. 0The story of the Benin Bronzes sits at the heart of a heated debate about cultural restitution, repatriation and the decolonisation of museums. In The Brutish Museum, Dan Hicks makes a powerful case for the urgent return of such objects, as part of awider project of addressing the outstanding debt of colonialism.