Welcome to our book review site go-pdf.online!

You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.

Sign up

Matteo Carcassi
  • Language: en
  • Pages: 48

Matteo Carcassi

The first and foremost edition of these ever popular studies, which are to be found in almost every syllabus where the guitar is taught. Selected by the Examination Board of the Royal Schools of Music 2009. This new expanded and revised edition is the only publication to reconcile the early sources of these Etudes with present day playing techniques. Several earlier editions from the 19th and 20th centuries have been carefully consulted for its preparation. The main music text is beautifully engraved with a clear and uncluttered presentation of the Etudes. This edition contains a useful section on playing the Etudes with over 50 music examples, showing alternative fingerings etc. A detailed Critical Commentary as well as historical archive material completes this important vastly improved version of our highly popular 1985 edition. Highly recommended as it will meet the needs of all at whatever level. Book and CD set, the recording was specially made for us by the fine German guitarist Irina Kircher.

Mel Bay presenta El método completo para guitarra de Carcassi
  • Language: es
  • Pages: 111

Mel Bay presenta El método completo para guitarra de Carcassi

Here in a single volume is the original guitar method of Mateo Carcassi (1792-1853) translated to ENGLISH and SPANISH and published with his famous "25 Studies". Although regarded as moderately archaic in terms of modern guitar technique, Carcassi's time- proven method is second to none in its presentation of a graded learning system featuring scales, exercises, and engaging compositions in various keys. Written in standard notation only.

Matteo Carcassi: 10 Petite Pieces from the Romantic Era In Tablature and Modern Notation For Baritone Ukulele
  • Language: en
  • Pages: 42

Matteo Carcassi: 10 Petite Pieces from the Romantic Era In Tablature and Modern Notation For Baritone Ukulele

  • Type: Book
  • -
  • Published: 2016-09-26
  • -
  • Publisher: Lulu.com

Here are ten compositions from the Romantic Era by Matteo Carcassi transcribed for the baritone ukulele. Most are also playable on the tenor and soprano ukulele and, of course, may be played on the guitar. These are somewhat more complex compositions and are for Intermediate to Advanced players.

Matteo Carcassi's 25 Estudios, Op. 60
  • Language: en
  • Pages: 56

Matteo Carcassi's 25 Estudios, Op. 60

None

Ukulele Picking Tunes - Classical Gems
  • Language: en
  • Pages: 40

Ukulele Picking Tunes - Classical Gems

Ukulele Picking Tunes: Classical Gems, by professional ukulele player and composer Paul Mansell, provides a unique collection of 20 favorite classical pieces arranged for both high-G and low-G ukulele. All the arrangements appear in both ukulele tablature and standard music notation. Selections include compositions by well-known composers such as J. S. Bach and Beethoven, as well as some lesser-known gems by Dowland, Sor and Carcassi. The book includes access to video footage of the author performing each piece.

Easy Classic Guitar Solos
  • Language: en
  • Pages: 32

Easy Classic Guitar Solos

  • Type: Book
  • -
  • Published: 1992-09-08
  • -
  • Publisher: Alfred Music

Perfect beginning repertoire for the student of classical guitar. These immensely popular pieces have provided a foundation for generations of guitarists. The pieces are short, melodic, easy to learn, and are played entirely in the 1st position. An excellent supplement to any classical guitar method!

Classic guitar technique
  • Language: en

Classic guitar technique

Aaron Shearer's Classic Guitar Technique has long been the core guitar method used by generations of classical guitarists. Alfred Music is proud to present Aaron's first fully revised and re-edited edition of this benchmark work. In addition to new exercises and music, Aaron and music editor Thomas Kikta have included critical new insights into core guitar techniques. Plus, for the first time, the book now comes with a demonstration and play-along CD. Students will be able to hear and emulate the tone and feel of the CD recording and they will have the opportunity to play their pieces as duets with the included recording. In addition, insert the CD into the CD-ROM drive of your computer and our exclusive TNT software allows you to changes tempos, mute the student part, and even loop sections for repeated practice. A Federation Festivals 2020-2024 selection.

Matteo Carcassi
  • Language: en

Matteo Carcassi

  • Type: Book
  • -
  • Published: 2022-10-12
  • -
  • Publisher: Unknown

Who would have thought you could play classical music on a ukulele? But you can! Here are twelve compositions from the 19th Century - the Romantic Era by Matteo Carcassi Arranged for Low G ukulele. Matteo Carcassi, (1792 - 1853), was born in Florence, Italy, and studied both piano and guitar when still a child. He moved to Germany in 1810 and five years later he moved to Paris, earning his living as a teacher of both instruments.

Matteo Carcassi
  • Language: en

Matteo Carcassi

  • Type: Book
  • -
  • Published: 2022-10-13
  • -
  • Publisher: Unknown

Who would have thought you could play classical music on a ukulele? But you can! Here are twelve compositions from the 19th Century - the Romantic Era by Matteo Carcassi Arranged for Low G ukulele. Matteo Carcassi, (1792 - 1853), was born in Florence, Italy, and studied both piano and guitar when still a child. He moved to Germany in 1810 and five years later he moved to Paris, earning his living as a teacher of both instruments.

The Great Vogue for the Guitar in Western Europe
  • Language: en
  • Pages: 337

The Great Vogue for the Guitar in Western Europe

The first book devoted to the composers, instrument makers and amateur players who advanced the great guitar vouge throughout Western Europe during the early decades of the nineteenth century.Contemporary critics viewed the fashion for the guitar with sheer hostility, seeing in it a rejection of true musical value. After all, such trends advanced against the grain of mainstream musical developments of ground-breaking (often Austro-German) repertoire for standard instruments. Yet amateur musicians throughout Europe persisted; many instruments were built to meet the demand, a substantial volume of music was published for amateurs to play, and soloist-composers moved freely between European cit...