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The Guitar and its Music
Following on from James Tyler's The Early Guitar: A History and Handbook(OUP 1980) tthis collaboration with Paul Sparks (their previous book for OUP, The Early Mandolin, appeared in 1989), presents new ideas and research on the history and development of the guitar and its music from the Renaissance to the dawn of the Classical era. Tyler's systematic study of the two main guitar types found between about 1550 and 1750 focuses principally on what the sources of the music (published and manuscript) and the writings of contemporary theorists reveal about the nature of the instruments and their roles in the music making of the period. The annotated lists of primary sources, previously published...
Edward Albee's At Home at the Zoo
When you emerge from this impish comic playwright's glittering tribute to Molière, written entirely in verse, your head will be so dizzy with syncopated rhyme that you'll almost expect to find yourself speaking and thinking in chiming couplets...[Ives] add The truism that families come in all shapes and sizes is illuminated with haunting beauty...in this exquisitely wrought comedy-drama...a piercing portrait of the contemporary social architecture, in which the distance between people can be widened or collaps
The Classical Mandolin
A "hidden" instrument in the classical music world, the mandolin's repertoire of original music remains largely unknown. This book examines the lives and works of the mandolin's great composers and, together with Sparks's earlier The Early Mandolin (Oxford 1989), provides the firstcomprehensive survey of the instrument's history. The book also explores aspects of technique and looks at present-day orchestras and soloists.
The New Parish
Headlines rage with big stories about big churches. But tucked away in neighborhoods throughout North America is a profound work of hope quietly unfolding as the gospel takes root in the context of a place. The future of the church is local, connected to the struggles of the people and even to the land itself.
Welcome to the Table
The culture in North America is shifting out from under the Christian church. This book demonstrates how this shift is calling for change in the church and the art of Jesus proclamation. On the one hand, the church is losing its place of influence within greater society, but on the other hand, this post-Christian citizenry are more open (less anxious) when faced with many Christian expressions. One particular hope for the church, as it discovers a new life within post-Christendom, will be found in historically grounded, liturgical worship. Welcome to the Table was written by a churchman who is also a citizen of post-Christian culture. It provides a thoughtful discussion of the place of liturgical worship within the culture shift, addressing it thematically and providing specific and practical suggestions for the administration of ancient forms.
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