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Matteo Ricci (1552–1610), the first of the early Jesuit missionaries of the China mission, is widely considered the most outstanding cultural mediator of all time between China and the West. This engrossing and fluid book offers a thorough, knowledgeable biography of this fascinating and influential man, telling a deeply human and captivating story that still resonates today. Michela Fontana traces Ricci's travels in China in detail, providing a rich portrait of Ming China and the growing importance of cultural exchanges between China and the West. She shows how Ricci incorporated his ideas of "cultural accommodation" into both his life and his writings aimed at the Chinese elite. Her biography is the first to highlight Ricci's immensely important scientific work and that of key Christian converts, such as Xu Guangqi, who translated Euclid's Elements together with Ricci. Exploring the history of science in China and the West as well as their dramatically different cultural attitudes toward religious and philosophical issues, Michela Fontana introduces not only Ricci's life but the first significant encounter between Western and Chinese civilizations.
From the renowned historian and author of The Death of Woman Wang, a vivid and gripping account of the 16th-century missionary’s remarkable sojourn to Ming China In 1577, the Jesuit Priest Matteo Ricci set out from Italy to bring Christian faith and Western thought to Ming dynasty China. To capture the complex emotional and religious drama of Ricci's extraordinary life, Jonathan Spence relates his subject's experiences with several images that Ricci himself created—four images derived from the events in the Bible and others from a book on the art of memory that Ricci wrote in Chinese and circulated among members of the Ming dynasty elite. A rich and compelling narrative about a fascinating life, The Memory Palace of Matteo Ricci is also a significant work of global history, juxtaposing the world of Counter-Reformation Europe with that of Ming China.
"Here at last is the text that many college teachers of Chinese, Asian, and world history have been waiting for: an accessible collection of primary sources on the life of the Italian Jesuit Matteo Ricci and the Catholic mission that he helped establish in China. Ricci's missionary career indeed constituted a key moment in modern history, for it was through his examples and recommendations that the Jesuits in China collectively adopted an accommodative approach to Chinese culture and embarked on various projects of cultural translation that resulted in the first wave of sustained interactions between Chinese and European civilizations. Instructors and students alike will benefit greatly from...
The remarkable life of the Italian Jesuit Matteo Ricci, one of the most famous missionaries of all time and the founder of the Catholic Mission in China. This is the first critical biography to use all relevant sources, not only in western languages but in Chinese as well.
In the sixteenth century, the vast and sophisticated empire of China lay almost entirely unknown to Western travellers. As global trade expanded, this land of reputedly boundless wealth, pale-faced women, and indecipherable tongues began to feed the fantasies of European merchants and adventurers. The Catholic Church, meanwhile, saw in this great people millions of souls who would be damned unless the Christian message could be brought to them. In this book, Mary Laven tells the extraordinary story of the first Jesuit mission to China. Confronting enormous challenges, the Italian priest Matteo Ricci and a tiny handful of learned companions travelled thousands of miles from southern Europe to...
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Stitching Porcelain, Deborah Larsen's first book of poetry, is a narrative-lyric sequence based on the life of Matteo Ricci, the resourceful Jesuit who entered China in 1583 and stayed for a quarter century. Pondering cultural accommodation as well as faith, many of the poems center on actual events: Ricci's dressing as a Buddhist; his awe-inspiring map (with China shrewdly centered); his prostration before an empty Dragon Throne. Other events the poet imagined. (In the title room, Ricci addresses a love lyric to China: "Your porcelain is so fine, so thin,/a brass wire can repair it . . . /Once I saw you beneath the bamboo/ . . . bent back/from the world, stitching porcelain.") With a felicity rare in a debut volume, Larsen's opalescent poetry works in perfect counterpoint to the strange and brilliant Ricci.