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An incredibly readable, funny, opinionated, idiosyncratic book which tells the story of modern art from Picasso to Damien Hirst - to tie-in with 6-part prime-slot Channel 4 series presented by Matthew Collings
'This is Civilisation' is a greatly elaborated version of the Channel 4 television series of the same name, written and presented by Matthew Collings. Many of the images in the book are stills from the programme.
From the anguished, screaming, tortured canvases of Francis Bacon to the witty, ironic, twirling, sliced farmyard animals of Damien Hirst, Matthew Collings guides us merrily through art's Yellow Pages. "Matthew's wired and rushy art history, alternately irritating and insightful, gives late 20th century BritArt what it needs--a confusing, loony relevance".--David Bowie.
This text is a follow up to the hugely successful Blimey! The author's familiar skewed scenarios, autobiographical blips, ancient history-trawling, personal observation and doubtful judgings here take on a much wider picture.
High Art Lite takes a cool and critical look at the way in which British art in the 1990s has reinvented itself, successfully appealing both to the mass media and to the elite art world. In this extensively illustrated polemic, Julian Stallabrass asks whether it has done so at the price of dumbing down and selling out. 18 color and 53 b/w photographs.
Become inspired by this vast collection of meditative drawing tiles known as tangles! 500 Tangled Art Works, curated by Beckah Krahula, author of the bestselling book, One Zentangle a Day, is the first book to feature a large and wide-ranging collection of exciting, beautiful, and experimental drawings. Tangles, a one to four stroke repetitive pattern used in a meditative art form called Zentangle(TM), are showing up all over the world in drawings, paintings, and many forms of mixed media art. With an introduction and history of this zen art form, 500 Tangled Art Works shares basic techniques, and features a cutting edge collection of the latest and greatest drawing from this contemporary movement. After seeing this amazing assortment of art, it will be easier than ever to start tangling on your own!
Witty and accessible, Collings' book provides a thorough overview of the life and work of one of the most important artists working in Britain today. Previous books by Collings include 'The London Artworld from Francis Bacon to Damien Hirst', 'It Hurts', 'This is Modern Art' and 'Art Crazy Nation'.
Title first published in 2003. What happened to art in Britain when the balance began to shift from public to private subsidy following the IMF crisis in 1976? In this polemical book, Neil Mulholland charts the political and cultural shifts in art in Britain from the mid-1970's to the end of the twentieth century. His account covers the key trends and artists of this extraordinarily diverse period, including critical postmodernism, feminism, neoconservatism, object sculpture, the new image, Brit Art, and Scottish neoconceptualism, and traces the development of critical thinking from the opinions of critics such as Richard Cork, John Roberts and Matthew Collings to tabloid press art scandals. The Cultural Devolution offers a broad critical and historical framework within which to understand public debate on the merits of young British artists such as Damien Hirst while looking beyond such celebrities to re-discover the wealth and range of work produced. Essential reading for anyone interested in contemporary art in Britain.
Welcome to an alarming book. In it Matthew Collings, known for his TV programmes and books about new art, tells you how to look at the old masters. Of course you can look at them however you like. But this book gives you some art historical facts as the context for what you're looking at - Collings gives you the resources you need, in order to make sense of what you're seeing. And he gets you to think for yourself. In art culture today all you hear about are literal meanings, about subject matter and ideas. Matt Collings objects to the droning repetition of that stuff. He looks to the past for a different model of art, one where the surface, the form, the look of something, is part of the id...
"This book is as much about painting as it is about the digital world. But beyond both it's really about visual intelligence. What makes it a joy to read is the lovely match between Faure Walker's subject and his style of writing: apparently artless, just making itself up as it goes along, but actually always with a witty spring, and never slack." -- MATTHEW COLLINGS, artist, critic, author, and television host "As a painter himself, James Faure Walker opens up a provocative dialogue between painting and digital computing that is essential reading for all painters interested in new technologies." -- IRVING SANDLER, author, critic, and art historian "Faure Walker has a distinguished backgroun...