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With a heightened sense of the boundless possibility and lurking doom that Orwell and Huxley once envisioned, Matthew Derby's stories provide a glimpse into an intricately imagined world: a world in which clouds are treated with behavioral serum, children are handicapped by their ability to float, and all food (including Popsicles) is made of meat.
A generation of children are born without speech, without comprehension, without language entirely. At first, they are just medical curiosities. But their numbers swell, and soon they grow into an established underclass, occupying squats and communes around the world. To some they are seen as a threat; to others, as a salvation. Some suspect they may have other abilities beyond our understanding. The children cannot tell you their story. Instead we rely on The Silent History, a collection of testimonies from those touched by the phenomenon. Parents, doctors, opportunist inventors, cult leaders, and vigilantes, recall what they have endured and what they have inflicted on others. They will take you from a recognisable present to a real and unsettling future. You will not want to look away.
A revelatory study of one of the 18th century's greatest artists, which places him in relation to the darker side of the English Enlightenment Joseph Wright of Derby (1734-1797), though conventionally known as a 'painter of light', returned repeatedly to nocturnal images. His essential preoccupations were dark and melancholy, and he had an enduring concern with death, ruin, old age, loss of innocence, isolation and tragedy. In this long-awaited book, Matthew Craske adopts a fresh approach to Wright, which takes seriously contemporary reports of his melancholia and nervous disposition, and goes on to question accepted understandings of the artist. Long seen as a quintessentially modern and pr...
"An insightful and well-written book. One of the best studies of local Jewish history extant."--Leonard Dinnerstein, University of Arizona For more than a century and a half, the Jewish citizens of the area in and around Knoxville, Tennessee, have maintained the rituals and traditions that define them as a separate people, even as they have blended quietly with their non-Jewish neighbors. Wendy Lowe Besmann paints a vivid picture of this community, bringing alive the stories of merchants, grocers, immigrants from Eastern Europe, and scientists and university professionals who have come to call the area home. Drawing on interviews and other sources, she traces the growth of local synagogues, ...
Gary Gerson led an uneventful life growing up Jewish in East Tennessee. This changed when he decided to walk onto the Vanderbilt football team with no prior experience, beginning a lifelong love for the game with four years of exhilaration and heartbreak. After juggling the challenges of infatuation, a bowl game, a major steroid scandal and ultimate dishonor at Vandy, Gerson's journeys brought him close to danger in Africa and India, a brush with the Yeti in the Himalaya, and more football in Amsterdam. When he fell in love with Shelley while teaching at the prestigious Cranbrook Kingswood School in Michigan, his journey for meaning took a sharp turn as she revealed her painful secret. Using his wife's triumphs and challenges as motivation, Gerson stepped back onto the football field at the age of 31 in Canada, scoring points along the way to his final personal victory. This book contains frank discussions about sex, relationships, love, AIDS, and death, but it is appropriate for all ages.
A hustler searches for truth in a dystopian Boston, in this novel of “comically elaborate twists and turns of plot [and] broad social satire” (Robert Coover, bestselling author of The Public Burning). An abandoned child hustles on the streets of a dystopic, near-future Boston in the aftermath of the Great Devaluation, as squatters have turned the tunnel system into an underground hive known as Dig City. During an elaborate search for his unknown parents, Eddie narrates his adventures as a street performer, pickpocket, adoptee, casino employee, and, finally, commander of the subterranean revolution. . . . “Takes its cue from William S. Burroughs, Philip K. Dick, Charles Dickens, Jack Kerouac, and Tom Robbins. This may be the first postapocalyptic novel in which the apocalypse was created by a public works project, Boston’s Big Dig, which is currently in its second decade . . . Misdirection and game theory flesh out this funny and surprising book.” —Library Journal
“An intricate tour de force that conjures a new vision of the Bard’s early days.” — Kirkus Reviews "Her Majesty's Will is a heady, silly romp that works!" — Chicago Tribune “Her Majesty’s Will has everything—swashbuckling sword fights, witty banter, a nefarious (and true!) plot, a dash of romance, narrow escapes, sudden reversals, and an incredibly plausible origin story for one of the greatest writers in history. It’s huge fun—a summer blockbuster action-adventure combined with dazzling outdoor Shakespeare, all in handy-dandy book form.” — Austin Tichenor, Pop-Up Shakespeare and William Shakespeare’s Long Lost First Play (abridged) In the ruffled collars and quill-...
Far from causing the "death of the book," the publishing industry's adoption of digital technologies has generated a multitude of new works that push the boundaries of literature and its presentation. In this fascinating new work, Élika Ortega proposes the notion of "binding media" — a practice where authors and publishers "fasten together" a codex and electronic or digital media to create literary works in the form of hybrid print-digital objects. Examining more than a hundred literary works from across the Americas, Ortega argues that binding media are not simply experimentations but a unique contemporary form of the book that effectively challenges conventional regional and linguistic ...