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The Salvation Army is nowadays viewed with fondness, but William Booth's evangelical crusade of the 1880s and early 1890s sparked violent riots led by an opposition group, the Skeleton Army. These riots caused destruction to property, injury to many people and, on occasion, loss of life. Spreading across the South and West of England, the Skeleton Army's aim was to eject Salvationists from their towns. Rather than facing repercussions themselves, however, it was often the peaceful parading Salvationists who were imprisoned. In With God on Their Side, James Gardner follows the spread of violence in the context of the popular conservatism of late-Victorian England, with close study of particular towns creating a rich tapestry of historical narrative that will be of interest to scholars and enthusiasts alike. The motives and actions of both groups are considered, along with the subsequent shift in the Salvation Army's focus towards social welfare. It is this shift that enabled the organisation to grow into the treasured charity we know today, and helped transform William Booth from one of the most vilified men of the nineteenth century into its saint.
In the first hundred years of the UK rail network, the seaside figures as a nerve centre, managing and making visible the period’s complex interplay between health, death, gender and sexuality. This monograph discusses around 130 novels of the railway age to show how the seaside infiltrates a diverse range of literature, subverting the boundaries between high and low literary culture. The seaside holiday galvanises innovative literary forms, including early twentieth-century holiday crime and romance fiction, which has its origins in the sensational strategies of mid-nineteenth-century authors. Where reading takes place is at least as important as what is read, and case studies on literary...
The Nation and British Literature and Culture charts the emergence of Britain as a political, social and cultural construct, examining the manner in which its constituent elements were brought together through a process of amalgamation and conquest. The fashioning of the nation through literature and culture is examined, as well as counter narratives that have sought to call national orthodoxies into question. Specific topics explored include the emergence of a distinctively national literature in the early modern period; the impact of French Revolution on conceptions of Britishness; portrayals of empire in popular and literary fiction; popular music and national imagining; the marginalisation and oppression of particular communities within the nation. The volume concludes by asking what implications an extended set of contemporary crises have for the ongoing survival both of the United Kingdom, both as a political unit and as a literary and cultural point of identity.
The nineteenth-century was a time of accelerated change and stark contradictions. It was marked by stability, advancement and reform, but also by widening inequalities, spiritual crisis and social unrest. Identity and gender came under pressure, religious belief was called into question, and the condition of women and children seemed to belie the much-vaunted idea of progress. Essays in this book explore how these contradictions and concerns are reflected in nineteenth-century literature. In discussing historical figures, characters and plots that are variously vulnerable and/or resilient, the essays reflect the breadth of nineteenth-century literature, from realist and sensational fiction to autobiography and poetry. Besides providing insights into the transfigurative role writing played, both as a means to express vulnerability and as a resilience process, the essays also foster further reflection on two timeless dimensions of the human condition.
Malicious nemeses continue to plot against Matthew and Maria as they race toward destiny. Book three sets in place the pieces of a puzzling mosaic. With an extrasensory gift for finding evidence and unraveling clues, Maria focusses on the files of murdered college students. All the while, Matthew advances his studies in law and science as he struggles to solve the mystery of the most significant quantum energy quest in history. The ghost of Cracker Jack, the three dead crows, Matthew's nefarious brother, and the Jobrani Maher brothers confound the sharpest law enforcement minds. Does Chief Tanner have the answers? Is Estebanez MIA? Will Agent Flannigan fail again? Who is Alex Scofield? Who is Francis O'Connell? Who is stalking Penelope? Time is running out as the hours click away. Book three in the Perpetual series trolls through the hooking plots of the first two books. Once again, Matthew and Maria's lives encounter chaos. Perpetual Abduction reels you in toward a heart-wrenching end.
Views the Victorian novel through the prism of literary imitations that it inspired.
Underwater Worlds throws open a new area in the emerging field of “blue” environmental humanities by exploring how subaqueous environments have been imagined and represented across cultures and media. The collection pursues this theme through various disciplinary perspectives and methodologies, including history, literary and film criticism, myth studies, legal studies and the history of art. The essays suggest that, since the nineteenth century, technologies of underwater exploration have generated novel sensory experiences that have destabilized conventional modes of representation and influenced new aesthetic forms from fiction and television to virtual reality. The collection also examines how representations of underwater environments have reflected and critiqued humans’ relationships with marine ecology and life-forms. It reflects on the deeper cultural and symbolic resonances of mythical figures such as mermaids, sea monsters and the ghosts of drowned seafarers. The contributions further reveal myriad political, ideological, gendered and racial dimensions of representing underwater environments.
This book shows how prose writers in the Victorian period grappled with the sea as a setting, a shaper of plot and character, as a structuring motif, and as a source of metaphor.
Queen Victoria: This Thorny Crown is the first comprehensive account of its subject's intense religiosity. This thematically structured biography explains how events in Victoria's life and reign - from her coronation to her marriage and many bereavements - changed and enlarged her faith. It portrays a woman with simple convictions but a complex identity, which suited her multinational kingdom and religiously plural Empire. Victoria was the Supreme Governor of the Church of England but preferred to worship with Scottish Presbyterians; she was an ardent Protestant, yet sympathetic to Roman Catholicism and Islam. Drawing on British and German archives, Michael Ledger-Lomas illuminates not just ...