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Gatewood
When Louis Gatewood Galbraith passed away in 2012, the flood of tributes honoring him merely scratched the surface of the life of this colorful and controversial figure. Throughout his political career, regional and national media outlets focused on the policy ideas and public acts that made Galbraith a cultural fixture: public demonstrations, an affinity for recreational drug use, unfiltered language, and recurring political campaigns. Best known as an advocate for the legalization of cannabis, Second Amendment rights, and smaller government, Galbraith was a perennial candidate whose once-quixotic platform might have found traction in contemporary Kentucky politics. In Gatewood: Kentucky's ...
Gatewood
When Louis Gatewood Galbraith passed away in 2012, the flood of tributes honoring him merely scratched the surface of the life of this colorful and controversial figure. Throughout his political career, regional and national media outlets focused on the policy ideas and public acts that made Galbraith a cultural fixture: public demonstrations, an affinity for recreational drug use, unfiltered language, and recurring political campaigns. Best known as an advocate for the legalization of cannabis, Second Amendment rights, and smaller government, Galbraith was a perennial candidate whose once-quixotic platform might have found traction in contemporary Kentucky politics. In Gatewood: Kentucky's ...
The Civil Rights Theatre Movement in New York, 1939–1966
This book argues that African American theatre in the twentieth century represented a cultural front of the civil rights movement. Highlighting the frequently ignored decades of the 1940s and 1950s, Burrell documents a radical cohort of theatre artists who became critical players in the fight for civil rights both onstage and offstage, between the Popular Front and the Black Arts Movement periods. The Civil Rights Theatre Movement recovers knowledge of little-known groups like the Negro Playwrights Company and reconsiders Broadway hits including Lorraine Hansberry’s A Raisin in the Sun, showing how theatre artists staged radically innovative performances that protested Jim Crow and U.S. imperialism amidst a repressive Cold War atmosphere. By conceiving of class and gender as intertwining aspects of racism, this book reveals how civil rights theatre artists challenged audiences to reimagine the fundamental character of American democracy.
The Coal Miner Who Became Governor
Born in a tenant house in Fallsburg, Kentucky, Paul Patton had a humble upbringing that held few clues about his future as one of the most prominent politicians in the history of the state. From the coal mines to the governor's office, Patton's life exemplifies hard work, determination, and perseverance, as well as the consequences of personal mistakes. In The Coal Miner Who Became Governor, Patton, with Jeffrey S. Suchanek, details his personal, professional, and political life in Kentucky, starting with his career in the coal industry. After working for his father-in-law, J. C. Cooley, in the 1950s, he partnered with his brother-in-law to establish their own coal company, which they sold f...
Load in Nine Times: Poems
A stirring and historically substantive tribute to literal freedom fighters that provides inspiration and instruction for all who believe in liberation in illiberal times. —Cortney Lamar Charleston For decades Frank X Walker has reclaimed essential American lives through his pathbreaking historical poetry. In this stirring new collection, he reimagines the experiences of Black Civil War soldiers—including his own ancestors—who enlisted in the Union army in exchange for emancipation. Moving chronologically from antebellum Kentucky through Reconstruction, Walker braids the voices of the United States Colored Troops with their family members, as well as slave owners and prominent historic...
Under the Greenwood Tree
In the summer of 1960, director C. Douglas Ramey took his Carriage House Players theater company down the street from their Old Louisville venue to Central Park, where the actors performed scenes from the Shakespeare classic Much Ado about Nothing. Buoyed by the enthusiastic audience response, Ramey's company returned to the park the next year for the first full season of the Kentucky Shakespeare Festival. More than sixty years later, Kentucky Shakespeare is now the oldest free, non-ticketed Shakespeare in the Park festival in the country. To commemorate the sixtieth anniversary of the festival, in spring 2020 Kentucky Shakespeare cooperated with students in the University of Louisville's De...
A Simple Justice
When the Declaration of Independence was signed by a group of wealthy white men in 1776, poor white men, African Americans, and women quickly discovered that the unalienable rights it promised were not truly for all. The Nineteenth Amendment eventually gave women the right to vote in 1920, but the change was not welcomed by people of all genders in politically and religiously conservative Kentucky. As a result, the suffrage movement in the Commonwealth involved a tangled web of stakeholders, entrenched interest groups, unyielding constitutional barriers, and activists with competing strategies. In A Simple Justice, Melanie Beals Goan offers a new and deeper understanding of the women's suffr...
The American Bar
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Congressional Yellow Book
A loose-leaf directory of Congress, their committees and key aides.
