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Me the People
A timely and incisive assessment of what the success of populism means for democracy. Populist movements have recently appeared in nearly every democracy around the world. Yet our grasp of this disruptive political phenomenon remains woefully inadequate. Politicians of all stripes appeal to the interests of the people, and every opposition party campaigns against the current establishment. What, then, distinguishes populism from run-of-the-mill democratic politics? And why should we be concerned by its rise? In Me the People, Nadia Urbinati argues that populism should be regarded as a new form of representative government, one based on a direct relationship between the leader and those the l...
Claude Lefort's Political Philosophy
This book proposes a new interpretation of Claude Lefort’s thought focusing on his phenomenological method. Although all scholars recognize the influence of Merleau-Ponty, so far no one has demonstrated the fundamental coherence between Merleau-Ponty’s theory and the main concepts proposed by Lefort; in particular between the concept of institution and the definitions of social and democracy. If Merleau-Ponty uses the idea of institution to think beyond the division between subject and object, to think together continuity and difference, permanence and change, this same concept allows Lefort to understand society as both conflict and unity. From this starting point, this study will attempt to clarify Lefort’s concept of the political and his interpretations of modernity, humanism, and the work of Niccolò Machiavelli. These very concepts will show the difference from structuralism, Michel Foucault’s contemporary theory and theories of immanence. At the same time this study highlights an internal tension in Lefort’s own thinking: between autonomy and experience, institution and insurgence.
The Case for Reduction
Critical discourse hardly knows a more devastating charge against theories, technologies, or structures than that of being reductive. Yet, expansion and growth cannot fare any better today. This volume suspends anti-reductionist reflexes to focus on the experiences and practices of different kinds of reduction, their generative potentials, ethics, and politics. Can their violences be contained and their benefits transported to other contexts?
Machiavellian Ontology
Studies the philosophical implications of contemporary theories of conflict and proposes a new political ontology Sets out a description of the most influential theories of political conflict (Carl Schmitt, Hannah Arendt, Michel Foucault, Jacques Lacan, Louis Althusser, Ernesto Laclau), as well as a critique of them from a Machiavellian point of view Provides a new interpretation of Niccolò Machiavelli’s thought as a political ontology Situates the argument in the recent debates about Italian Theory (Roberto Esposito, Antonio Negri, Giorgio Agamben) and political ontology (Oliver Marchart, Miguel Vatter, Yannis Stavrakakis, Chantal Mouffe, Ernesto Laclau) Offers a new theory of productive...
Reel Views 2
Thoroughly revised and updated for 2005! Includes a new chapter on the best special edition DVDs and a new chapter on finding hidden easter egg features.
Roger Ebert's Movie Yearbook 2005
Containing reviews written from January 2002 to mid-June 2004, including the films "Seabiscuit, The Passion of the Christ," and "Finding Nemo," the best (and the worst) films of this period undergo Ebert's trademark scrutiny. It also contains the year's interviews and essays, as well as highlights from Ebert's film festival coverage from Cannes.
Roger Ebert's Movie Yearbook 2007
The most-trusted film critic in America." --USA Today Roger Ebert actually likes movies. It's a refreshing trait in a critic, and not as prevalent as you'd expect." --Mick LaSalle, San Francisco Chronicle America's favorite movie critic assesses the year's films from Brokeback Mountain to Wallace and Gromit: The Curse of the Were-Rabbit. Roger Ebert's Movie Yearbook 2007 is perfect for film aficionados the world over. Roger Ebert's Movie Yearbook 2007 includes every review by Ebert written in the 30 months from January 2004 through June 2006-about 650 in all. Also included in the Yearbook, which is about 65 percent new every year, are: * Interviews with newsmakers such as Philip Seymour Hoffman, Terrence Howard, Stephen Spielberg, Ang Lee, and Heath Ledger, Nicolas Cage, and more. * All the new questions and answers from his Questions for the Movie Answer Man columns. * Daily film festival coverage from Cannes, Toronto, Sundance, and Telluride. *Essays on film issues and tributes to actors and directors who died during the year.
A History of Italian Cinema
A History of Italian Cinema, 2nd edition is the much anticipated update from the author of the bestselling Italian Cinema - which has been published in four landmark editions and will celebrate its 35th anniversary in 2018. Building upon decades of research, Peter Bondanella and Federico Pacchioni reorganize the current History in order to keep the book fresh and responsive not only to the actual films being created in Italy in the twenty-first century but also to the rapidly changing priorities of Italian film studies and film scholars. The new edition brings the definitive history of the subject, from the birth of cinema to the present day, up to date with a revised filmography as well as more focused attention on the melodrama, the crime film, and the historical drama. The book is expanded to include a new generation of directors as well as to highlight themes such as gender issues, immigration, and media politics. Accessible, comprehensive, and heavily illustrated throughout, this is an essential purchase for any fan of Italian film.
Institution
The pandemic has brought into sharp relief the fundamental relationship between institution and human life: at the very moment when the virus was threatening to destroy life, human beings called upon institutions – on governments, on health systems, on new norms of behavior – to combat the virus and preserve life. Drawing on this and other examples, Roberto Esposito argues that institutions and human life are not opposed to one another but rather two sides of a single figure that, together, delineate the vital character of institutions and the instituting power of life. What else is life, after all, if not a continuous institution, a capacity for self-regeneration along new and unexplored paths? No human life is reducible to pure survival, to “bare life.” There is always a point at which life reaches out beyond primary needs, entering into the realm of desires and choices, passions and projects, and at that point human life becomes instituted: it becomes part of the web of relations that constitute social, political, and cultural life.
The New Republic
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