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His philanthropies are little known outside of Central Illinois and Kauai, but the Art Institute of Chicago and the Honolulu Academy of Arts benefited from his magnanimous assistance with funding and artwork. Allerton was a quiet man who left his mark in both Illinois and Hawaii. Robert Allerton: His Parks and Legacies includes photographs taken over the last 100 years that document his life and properties. Named one of the Seven Wonders of Illinois, Robert Allerton Park is visited by nearly 100,000 people annually. Allerton, a wealthy Chicago philanthropist and art collector, donated his palatial country estate to the University of Illinois in 1946 with the intent that it should be maintained as a wildlife preserve and an example of landscape gardening. Today Robert Allerton Park is both a National Historic Site and National Natural Landmark.
Carved out of timber and prairie and surrounded by fields of soybeans and corn, Monticello was founded in 1822 and named after Thomas Jefferson's Virginia estate. Monticello, a National Main Street Community, boasts an intriguing history as one of the "patent medicine capitals of the world" and features elegant streets full of wide-lawned mansions, such as State Street, nicknamed "Millionaires' Row." The impressive courthouse is ringed with brick buildings from the late 1800s. The Allerton estate, a 32,000-square-foot Georgian mansion on 12,000 acres along the Sangamon River, was donated to the University of Illinois by owner Robert Allerton. Filled with sculptures from around the world, the estate has been designated by the Illinois Bureau of Tourism as one of the "Seven Wonders of Illinois." In 1858, on the outskirts of Monticello, Abraham Lincoln met Stephen A. Douglas and decided to plan the debates that later won Lincoln the presidency. With its history, mansions, working railway museum, boutiques, and galleries, the community truly deserves the label "Unique Monticello."
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"An Open Secret traces the history of philanthropist Robert Allerton and his companion, John Wyatt Gregg, whom Allerton formally adopted as his son in 1960, after decades of living together. Yet why did these two men, who appear to be a gay couple from our view today, choose to project a father/son relationship? Syrett argues that in a period of both rising homosexual openness and social disapproval, the men had to find an alternative public logic for their situation. Whether or not Allerton and Gregg had sex with each other, they were undoubtedly a queer union: two high-society men who did not affirm traditional notions of partnership or couplehood"--
This special volume of Progress in Molecular Biology and Translational Science focuses on chronobiology. - Contributions from leading authorities - Informs and updates on all the latest developments in the field
This study challenges the notion that closeted secrecy was a necessary part of social life for gay men living in the shadow of the trial and imprisonment of Oscar Wilde. It reconstructs a surprisingly open network of queer filiation in which Henry James occupied a central place. The lives of its satellite figures — most now forgotten or unknown — offer even more suggestive evidence of some of the countervailing forms of social practice that could survive even in that hostile era. If these men enjoyed such exemption largely because of the prerogatives of class privilege, their relative freedom was nevertheless a visible rebuke to the reductive stereotypes of homosexuality that circulated and were reinforced in the culture of the period. This book will be of particular interest to scholars of Henry James and queer studies, readers of late Victorian and modern literature, and those interested in the history and social construction of gender roles.
Additional genealogy on the descendants of Peter Coan (1697-1779) who came to Scarsdale, New York in 1710 from Germany. He married Hannah Davis in 1726. Descendants lived in New York, New Jersey, Pennsylvania, Florida, and elsewhere.
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Why does the University of Illinois campus at Urbana-Champaign look as it does today? Drawing on a wealth of research and featuring more than one hundred color photographs, An Illini Place provides an engrossing and beautiful answer to that question. Lex Tate and John Franch trace the story of the university's evolution through its buildings. Oral histories, official reports, dedication programs, and developmental plans both practical and quixotic inform the story. The authors also provide special chapters on campus icons and on the buildings, arenas and other spaces made possible by donors and friends of the university. Adding to the experience is a web companion that includes profiles of the planners, architects, and presidents instrumental in the campus's growth, plus an illustrated inventory of current and former campus plans and buildings.
Ellen Emmet Rand (1875-1941) was one of the most important and prolific portraitists in the United States in the first decades of the twentieth century. She negotiated her career, reputation, family, and finances in modern and commercially savvy ways-revealing the complex negotiations needed to balance these competing pressures. Engaging with newly available archival documents and featuring scholars with radically different approaches to visual culture, this edited collection not only seeks to interrogate the meaning of Rand's portraits and her career, but indeed to rethink gender, art, race, business, and modernism in the twentieth century.