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Jesuit priest and art historian McNamee presents his memoirs. He was born on a Wisconsin farm and schooled at St. Francis Seminary before joining the Society of Jesus. From there, he went on to become an art historian at St. Louis University. He discusses his life of scholarship and traveling, liberally sprinkling his tale with observations on religion, culture, and art. Annotation copyrighted by Book News, Inc., Portland, OR
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Mc Namee's detailed and well illustrated new study is about eucharistic symbolism in Early Netherlandish painting. It focuses on the pervading presence of the vested angel in this school of painting and its eucharistic significance. These angels, dressed in every possible variation of the vestements of the subministers of the traditional Solemn High Mass, are represented as serving the Christ in each episode of His life. The history of the vested angel is traced through numerous paintings representing scenes from the life of Christ' from the Annunciation through the Last Judgement. The theological basis of this study is offered in a discussion of Maurice de la Taille's Mysterium Fidei, a theory of Mass that best parallels the concept of Eucharistic symbolism in Early Netherlandish painting. Colour illustrations and over a hundred photographs of the original paintings help the reader to follow this fascinating analysis.
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