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Vested Angels
Mc Namee's detailed and well illustrated new study is about eucharistic symbolism in Early Netherlandish painting. It focuses on the pervading presence of the vested angel in this school of painting and its eucharistic significance. These angels, dressed in every possible variation of the vestements of the subministers of the traditional Solemn High Mass, are represented as serving the Christ in each episode of His life. The history of the vested angel is traced through numerous paintings representing scenes from the life of Christ' from the Annunciation through the Last Judgement. The theological basis of this study is offered in a discussion of Maurice de la Taille's Mysterium Fidei, a theory of Mass that best parallels the concept of Eucharistic symbolism in Early Netherlandish painting. Colour illustrations and over a hundred photographs of the original paintings help the reader to follow this fascinating analysis.
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Language and Experience in 17th-century British Philosophy
The focus of this volume is the crisis of the traditional view of the relationship between words and things and the emergence of linguistic arbitrarism in 17th-century British philosophy. Different groups of sources are explored: philological and antiquarian writings, pedagogical treatises, debates on the respective merits of the liberal and mechanical arts, essays on cryptography and the art of gestures, polemical pamphlets on university reform, universal language scheme, and philosophical analyses of the conduct of the understanding. In the late 17th-century the philosophy of mind discards both the correspondence of predicamental series to reality and the archetypal metaphysics underpinning it. This is a turning point in semantic theory: language is conceived as the social construction of historical-conventional objects through signs and the study of strategies we use to bridge the gap between the privacy of experience and the publicness of speech emerges as one of the main topics in the philosophy of language.
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