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Cultural History of Manipur
Articles chiefly on the dance styles accompanying Maharas, a form of Rāsalīlā, Vaishnava drama, from Manipur, India, and the contribution of Sija Laioibi, b. 1771, Vaishnava woman saint and princess from the royal state.
Glimpses of Manipuri Culture
The culture of a people is the way of life of that people. Culture is a very wide term. It does not mean simply dance and music. It includes customs, beliefs, language, literature, paintings, the way of cooking food, the manner of taking food and many other things which make the people distinct from other peoples. Thus Manipuri culture is a very wide subject. But in this article, we are not expected to discuss the whole gamut of Manipuri culture. We will discuss its background by knowing which we will understand Manipuri culture more clearly and easily.
A Grammar of Meithei
The series builds an extensive collection of high quality descriptions of languages around the world. Each volume offers a comprehensive grammatical description of a single language together with fully analyzed sample texts and, if appropriate, a word list and other relevant information which is available on the language in question. There are no restrictions as to language family or area, and although special attention is paid to hitherto undescribed languages, new and valuable treatments of better known languages are also included. No theoretical model is imposed on the authors; the only criterion is a high standard of scientific quality. To discuss your book idea or submit a proposal, please contact Birgit Sievert.
Stories and Memories, Memories and Histories
This edited volume brings together authors from a wide variety of disciplines in the social sciences and humanities. A historian first investigates understudied samizdat literature, a film critic then analyzes Balkan cinema via psychoanalysis, a psychologist examines contemporary European border policies, and a political scientist analyzes the Confederate-memorial debate. Philosophers consider the space of those memorials, ethno-national narratives in India, the Anthropocene and the mind’s historical imaginary, and the notion of home. Literary critics examine recent developments in modes of storytelling and images of Orientalism. What emerges is a new understanding of history, memory, and time.
Khwairakpam Chaoba Singh
On the life and works of Khwairakpam Chaoba Singh, 1896-1950, Manipuri poet.
Crafting the Word
Manipur has a rich tradition of folk and oral narratives, as well as written texts dating from as early as in 8th Century AD. It was however only in the second half of the twentieth century that women began writing and publishing their works. Today, women’s writing forms a vibrant part of Manipuri literature, and their voices are amplified through their coming together as an all-woman literary group. Put together in discussions and workshops by Thingnam Anjulika Samom, Crafting the Word captures a region steeped in conservative patriarchy and at the centre of an armed conflict. It is also a place, however, where women’s activism has been at the forefront of peace-making and where their contributions in informal commerce and trade hold together the economy of daily life.
A Glimpse of Manipuri Literary Works
This book deals with the huge development of Arts and literary works during the time of King Kiyamba’s rule till King Chandrakriti (A.D. 1467-1886) in Manipur. The interesting fact is that Manipur witnessed its own two millennia old cultural framework through well developed literary language, rich cultural heritage, customs and traditions, rites and rituals which provides a living testimony to its birth and rise of Meetei civilization. Though, the Manipuris settling both in the hills and the plains speak different diverse sub-branches of the Tibeto-Burman language, the present Manipuri language which is evolved out of the early traditional Meetei language, becomes the lingua franca of the different groups.
Dance Matters
This volume presents a multidisciplinary perspective on dance scholarship and practice as they have evolved in India and its diaspora, outlining how dance histories have been written and re-written, how aesthetic and pedagogical conventions have changed and are changing, and how politico-economic shifts have shaped Indian dance and its negotiation with modernity.. Written by eminent and emergent scholars and practitioners of Indian dance, the articles make dance a foundational socio-cultural and aesthetic phenomena that reflects and impacts upon various cultural intercourses -- from art and architecture to popular culture, and social justice issues. They also highlight the interplay of vario...
