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Survey of arts centres in Europe which apply innovative working methods and develop new forms of artistic creativity. Existing centres favour a multidisciplinary approach to the arts. Digital culture does exist in Europe, and can constitute a new interface between the arts sector and technology.
An ERICarts Report to the European Commission in co-operation with FinnEKVIT (Helsinki) MEDIACULT (Vienna), and the Observatorio das Actividades Culturais (Lisbon) with the participation of Fondazione Donne in Musica (Fiuggi) Mars Exploratory Media Lab (Sankt Augustin) Zentrum für Kulturforschung (Bonn)
Since its creation, the International UNESCO-Fund for the Promotion of Culture has accorded particular attention to the problems of preserving and promoting music throughout the world. Of the numerous initiatives launched with the Fund's support one ought to mention the foundation of an intercultural school of music in Venice; the fitting-out of a recording studio for the Music School of Jamaica; the collection of popular songs of the People's Republic of China; the organization of an experimental rostrum featuring films on traditional music and dance; the establishment of a music information centre for educational purposes; the launching of a music promotion service within the framework of ...
Providing new analysis, anthropologists, ethnomusicologists, sociologists, and philologists have developed a concept of hybridization that has exceeded the boundaries of their established disciplines. The authors, experts in Argentinian and Italian tango, Algerian rai, Catalonian sardana, Andalusian flamenco and Greek rebetika, focus on transcultural hybridization particularly from an ethnographic perspective. Additional contributors offer important epistemological and methodological interrogations and discuss the macro-structures of the music industry in the global markets.