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Exquisite Corpse
Out of the 1920s Surrealist art studios emerged the exquisite corpse, a collaboratively drawn body made whole through a series of disjointed parts whose relevance today is the subject of Exquisite Corpse: Studio Art-Based Writing in the Academy. This collection draws from the processes and pedagogies of artists and designers to reconcile disparate discourses in rhetoric and composition pertaining to 3Ms (multimodal, multimedia, multigenre), multiliteracies, translingualism, and electracy. With contributions from a diverse range of scholars, artists, and designers, the chapters in this collection expand the conversation to a broader notion of writing and composing in the 21st century that bui...
From Virgin Land to Disney World
With the publication in English in 1930 of Civilization and its Discontents and its thesis that instinct - and, ultimately: nature - had been and must be forever subordinated in order that civilization might thrive and endure, Freud contributed what some contemporaries saw to the central debate of his era - a debate which had long preoccupied both official American pundits and the American populace at large. At the beginning of the new Millennium, evidence abounds that an American debate still rages over the meaning of "nature," the rightful weight of instinct, and the status of civilization. The Millennium itself has appeared in popular and official discourses as an appropriate marker of an...
Total Modernity and the Avant-Garde in Twentieth-Century Chinese Art
A groundbreaking book that describes a distinctively Chinese avant-gardism and a modernity that unifies art, politics, and social life. To the extent that Chinese contemporary art has become a global phenomenon, it is largely through the groundbreaking exhibitions curated by Gao Minglu: "China/Avant-Garde" (Beijing, 1989), "Inside Out: New Chinese Art" (Asia Society, New York, 1998), and "The Wall: Reshaping Contemporary Chinese Art" (Albright-Knox Art Gallery, 2005) among them. As the first Chinese writer to articulate a distinctively Chinese avant-gardism and modernity—one not defined by Western chronology or formalism—Gao Minglu is largely responsible for the visibility of Chinese art...
The Exquisite Corpse
This work addresses historical and contemporary manifestations of poems, drawings, collages, and performance works that employ the ritual of the 'cadaver exquis'.
Reese Family
William Rees (ca. 1787-1843) was born in Wales and married Hannah Roberts (ca. 1797-1884). He died in Treffgarne, Pembrokeshire, Wales. Two sons, James and Thomas, immigrated to Wisconsin in 1849. Descendants lived in Wales, Wisconsin, Iowa, Minnesota, Oregon, Western Canada, California, Montana, and elsewhere.
An Environmental History of Postcolonial North India
An Environmental History of Postcolonial North India is a study of an increasingly important part of the Indian landscape. It examines the social process of accelerated land use as it has been affected by political and epidemiological factors and pays particular attention to the shifting representations of the landscape. As a contribution to the literature of the environmental history of India, this book examines the questions of agricultural colonization, wildlife conservation, and disease control.
Embattled Avant-Gardes
This sweeping work, at once a panoramic overview and an ambitious critical reinterpretation of European modernism, provides a bold new perspective on a movement that defined the cultural landscape of the early twentieth century. Walter L. Adamson embarks on a lucid, wide-ranging exploration of the avant-garde practices through which the modernist generations after 1900 resisted the rise of commodity culture as a threat to authentic cultural expression. Taking biographical approaches to numerous avant-garde leaders, Adamson charts the rise and fall of modernist aspirations in movements and individuals as diverse as Ruskin, Marinetti, Kandinsky, Bauhaus, Purism, and the art critic Herbert Read. In conclusion, Adamson rises to the defense of the modernists, suggesting that their ideas are relevant to current efforts to think through what it might mean to create a vibrant, aesthetically satisfying form of cultural democracy.
Counseling 21st Century Students for Optimal College and Career Readiness
This second edition presents an updated action-based curriculum for high school counselors that will meet the needs of 21st century students, helping to foster their growth and engage them in learning what they need to succeed beyond high school. This book takes a comprehensive, developmental approach, focusing on 9th-12th grade students rather than solely on those in 11th and 12th grade. It provides a model for developing and enhancing a successful college advising office as well as essential advice on methods of working with parents. Specific topics discussed include successful transition to 9th grade, using technology in the college and career advising process, assisting and advising students in college research and application, and helping seniors make successful transitions to college. There is also a special focus on students in urban and rural schools to enable them to have the same enriched experiences in their college and career advising program as those students in private and suburban schools. The curriculum is geared for use by school counselors, college advisors, and readers in graduate counseling student courses.
Interpreter: A Journal of Mormon Scripture, Volume 21 (2016)
This is volume 21 of Interpreter: A Journal of Mormon Scripture published by The Interpreter Foundation. It contains articles on a variety of topics including: "Three Degrees of Gospel Understanding", "Joseph Smith and the Doctrine of Sealing", "'There’s the Boy I Can Trust': Dennison Lott Harris’ First-Person Account of the Conspiracy of Nauvoo and Events Surrounding Joseph Smith’s 'Last Charge' to the Twelve Apostles", "A Brighter Future for Mormon Theology: Adam S. Miller’s Future Mormon", "Beyond Agency as Idolatry", "'How Thankful We Should Be to Know the Truth': Zebedee Coltrin’s Witness of the Heavenly Origins of Temple Ordinances", "Perhaps Close can Count in More than Horseshoes", "Mormonism, Materialism, and Politics: Six Things We Must Understand in Order to Survive as Latter-day Saints", "Were We Foreordained to the Priesthood, or Was the Standard of Worthiness Foreordained? Alma 13 Reconsidered", "Remembering and Honoring Maori Latter-day Saints", "Reading A Pentecostal Reads the Book of Mormon", "'With the Tongue of Angels': Angelic Speech as a Form of Deification".
André Masson and the Surrealist Self
This richly documented book examines the attempts of the French Surrealist artist Andr� Masson (1896-1987) to define "self” in his art in the period between the early 1920s and 1940, the most fruitful period of classic Surrealism, culminating in the emergence of existentialism. Through a close reading of Masson’s paintings, drawings, and writings, Clark Poling explores the ways in which the artist figured the self--as fragmented, dissolved, merged with other selves and with the natural environment, and, ultimately, reconstituted and consolidated. Masson’s work, Poling argues, reveals his involvement with modern conceptions of the self that he absorbed from Nietzsche and the Surrealist writers, as well as from other sources in philosophy, psychology, psychoanalysis and ethnography. He traces Masson’s articulation of these ideas in paintings and graphic works, using his correspondence from the Surrealist period and his many subsequent writings as supporting evidence.
